Betrayal is a real gem from the Pinter collection, benefiting from the minimalist design and slick direction of this production – Charlie Cox’s performance is a real highlight.
Text of the Day: Betrayal
Random and topical thoughts and quotes gathered by My Theatre Mates contributor Aleks Sierz, first published on www.sierz.co.uk.
‘Nothing less than astonishing’: Pinter At The Pinter Season – West End
In just six months, Jamie Lloyd’s creative team and ever-changing company of actors has utterly transformed our perspective on Harold Pinter.
‘This was always going to be the treasure’: BETRAYAL – West End ★★★★
More praise has always met the political paranoia and over-relished bullying aggression of Pinter’s other plays, long and short: Jame Lloyd’s Pinter season has been a triumph. But for me Betrayal was always going to be the treasure.
REVIEW ROUND-UP: Betrayal at Harold Pinter Theatre
Tom Hiddleston stars in Jamie Lloyd’s revival of Harold Pinter’s play Betrayal. Love London Love Culture rounds up the reviews…
‘Staged with enormous intelligence & emotional energy’: BETRAYAL – West End
Tom Hiddleston is back! And in excellent form in Jamie Lloyd’s revelatory revival of the 1978 Pinter classic Betrayal.
‘A stunning piece of theatre’: BETRAYAL – West End
Jamie Lloyd’s terrific Pinter season, at London’s Harold Pinter Theatre, climaxes with a revival of Betrayal, arguably one of the writer’s more personal pieces and one of his most innovative and beguiling.
‘You need the laughs because it reminds you to breathe’: BETRAYAL – West End
Hiddleston, Ashton and Cox deliver precise, layered performances in a production that grips with tension. I think Lloyd has saved the best to last in his Pinter at the Pinter season.
‘It’s everything you could hope for’: BETRAYAL – West End
Betrayal is everything you could hope for. The Pinter at the Pinter season has set a very high standard for itself, but what a swansong this has turned out to be.
‘Culmination of a triumphant season’: PINTER SEVEN – West End
The culmination of Jamie Lloyd’s Pinter at the Pinter season, which has been a triumph, is two short plays from very early in Harold Pinter’s career both of which he directs. Not has only the production of all Pinter’s short plays proved that there is a large, enthusiastic audience for apparently difficult and oblique drama; it has also made the case that Pinter’s short drama, comparatively overlooked, should be judged on a level with his full-length plays. They include some of his best writing.
‘Finishing on an undisputed high’: PINTER SEVEN – West End ★★★★
Pinter at the Pinter reaches its climax with Pinter Seven featuring an enigmatic and occasionally baffling radio play, A Slight Ache, and a real highlight in an already remarkable season, The Dumb Waiter.https://mytheatremates.entstix.com/tickets/dumb-waiter-slight-ache
‘Collections end as confidently & memorably as they began’: PINTER SEVEN – West End
What a difference a few months can make; when the Jamie Lloyd Company first announced its Pinter at the Pinter season finale show back in May (before Betrayal was added to the programme), the news that Danny Dyer would star alongside Martin Freeman raised a few eyebrows.
Pinter & misogyny post #MeToo: Was the playwright ahead of the curve or playing for laughs?
Pinter Six of the Pinter at the Pinter season is the first that I can say I quite enjoyed but it didn’t stop a nagging question I’ve had for a while: Was Pinter a misogynist? I’m not alone as it was the first question in the post-show Q&A with director Jamie Lloyd and cast members Celia Imrie, Ron Cook and Abraham Popoola.
NEWS: Zawe Ashton & Charlie Cox join Tom Hiddleston in Betrayal as part of Pinter at the Pinter season
Two of the country’s most exciting young stars, Zawe Ashton and Charlie Cox, will Tom Hiddleston in The Jamie Lloyd Company production of Harold Pinter’s Betrayal at the Harold Pinter Theatre from 5 March 2019 until 1 June (press night is 13 March) for a strictly limited season ending on 1 June, directed by Jamie Lloyd. The production forms the culmination of the historic Pinter at the Pinter season.
‘Themes as relevant now as when the plays were written’: PINTER FIVE & SIX – West End
There are no balloons or party poppers but a good time is guaranteed with Party Time and Celebration, a standout Pinter Six from the consistently strong Pinter at the Pinter season in London’s West End.
‘Eminently watchable’: PINTER SIX – West End
One of the benefits in producing such a wide-ranging festival as Pinter at the Pinter has been the flexibility in its programming, allowing for thematic evenings to emerge as opposed to a straight chronological trip through the canon. So here, Jamie Lloyd is able to bring together two plays set at gatherings, both conveniently cast for nine people.
‘The highlight of Pinter At The Pinter so far’: PINTER FIVE – West End
Pinter Five sees Patrick Marber, someone who could call Harold Pinter a friend and colleague, take the directorial wheel as he presents a triple-bill of The Room, Victoria Station and Family Voices, delving further into the wealth of short plays left behind by the playwright.
‘Provides a combination of dark humour & precisely honed language’: PINTER FOUR – West End
The fourth instalment in Jamie Lloyd’s consistently enjoyable season of Harold Pinter’s short plays contrasts plays from either end of the writer’s career.
‘Exploring how subjective memories can be’: PINTER FOUR – West End
Pinter Four serves up something of a difficult double bill at the Harold Pinter Theatre, but Bríd Brennan and Janie Dee are there to help us through the dark times.
‘The two plays are starkly different’: PINTER FOUR – West End
Pinter Four continues Jamie Lloyd’s Pinter at the Pinter season with the Lyndsey Turner-directed Moonlight starring Robert Glenister as a dying patriarch who bemoans his family’s absence at his deathbed to his long-suffering wife (Brid Brennan).