Betrayal is a real gem from the Pinter collection, benefiting from the minimalist design and slick direction of this production – Charlie Cox’s performance is a real highlight.
Random and topical thoughts and quotes gathered by My Theatre Mates contributor Aleks Sierz, first published on www.sierz.co.uk.
In just six months, Jamie Lloyd’s creative team and ever-changing company of actors has utterly transformed our perspective on Harold Pinter.
More praise has always met the political paranoia and over-relished bullying aggression of Pinter’s other plays, long and short: Jame Lloyd’s Pinter season has been a triumph. But for me Betrayal was always going to be the treasure.
Tom Hiddleston stars in Jamie Lloyd’s revival of Harold Pinter’s play Betrayal. Love London Love Culture rounds up the reviews…
Tom Hiddleston is back! And in excellent form in Jamie Lloyd’s revelatory revival of the 1978 Pinter classic Betrayal.
Jamie Lloyd’s terrific Pinter season, at London’s Harold Pinter Theatre, climaxes with a revival of Betrayal, arguably one of the writer’s more personal pieces and one of his most innovative and beguiling.
Hiddleston, Ashton and Cox deliver precise, layered performances in a production that grips with tension. I think Lloyd has saved the best to last in his Pinter at the Pinter season.
Betrayal is everything you could hope for. The Pinter at the Pinter season has set a very high standard for itself, but what a swansong this has turned out to be.
The culmination of Jamie Lloyd’s Pinter at the Pinter season, which has been a triumph, is two short plays from very early in Harold Pinter’s career both of which he directs. Not has only the production of all Pinter’s short plays proved that there is a large, enthusiastic audience for apparently difficult and oblique drama; it has also made the case that Pinter’s short drama, comparatively overlooked, should be judged on a level with his full-length plays. They include some of his best writing.
Pinter at the Pinter reaches its climax with Pinter Seven featuring an enigmatic and occasionally baffling radio play, A Slight Ache, and a real highlight in an already remarkable season, The Dumb Waiter.https://mytheatremates.entstix.com/tickets/dumb-waiter-slight-ache
What a difference a few months can make; when the Jamie Lloyd Company first announced its Pinter at the Pinter season finale show back in May (before Betrayal was added to the programme), the news that Danny Dyer would star alongside Martin Freeman raised a few eyebrows.
Pinter Six of the Pinter at the Pinter season is the first that I can say I quite enjoyed but it didn’t stop a nagging question I’ve had for a while: Was Pinter a misogynist? I’m not alone as it was the first question in the post-show Q&A with director Jamie Lloyd and cast members Celia Imrie, Ron Cook and Abraham Popoola.
Two of the country’s most exciting young stars, Zawe Ashton and Charlie Cox, will Tom Hiddleston in The Jamie Lloyd Company production of Harold Pinter’s Betrayal at the Harold Pinter Theatre from 5 March 2019 until 1 June (press night is 13 March) for a strictly limited season ending on 1 June, directed by Jamie Lloyd. The production forms the culmination of the historic Pinter at the Pinter season.
There are no balloons or party poppers but a good time is guaranteed with Party Time and Celebration, a standout Pinter Six from the consistently strong Pinter at the Pinter season in London’s West End.
One of the benefits in producing such a wide-ranging festival as Pinter at the Pinter has been the flexibility in its programming, allowing for thematic evenings to emerge as opposed to a straight chronological trip through the canon. So here, Jamie Lloyd is able to bring together two plays set at gatherings, both conveniently cast for nine people.
Pinter Five sees Patrick Marber, someone who could call Harold Pinter a friend and colleague, take the directorial wheel as he presents a triple-bill of The Room, Victoria Station and Family Voices, delving further into the wealth of short plays left behind by the playwright.
The fourth instalment in Jamie Lloyd’s consistently enjoyable season of Harold Pinter’s short plays contrasts plays from either end of the writer’s career.
Pinter Four serves up something of a difficult double bill at the Harold Pinter Theatre, but Bríd Brennan and Janie Dee are there to help us through the dark times.
Pinter Four continues Jamie Lloyd’s Pinter at the Pinter season with the Lyndsey Turner-directed Moonlight starring Robert Glenister as a dying patriarch who bemoans his family’s absence at his deathbed to his long-suffering wife (Brid Brennan).