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‘Culmination of a triumphant season’: PINTER SEVEN – West End

In London theatre, Opinion, Plays, Reviews, Ticket recommendations by Tom BoltonLeave a Comment

The culmination of Jamie Lloyd’s Pinter at the Pinter season, which has been a triumph, is two short plays from very early in Harold Pinter’s career both of which he directs. Not has only the production of all Pinter’s short plays proved that there is a large, enthusiastic audience for apparently difficult and oblique drama; it has also made the case that Pinter’s short drama, comparatively overlooked, should be judged on a level with his full-length plays. They include some of his best writing.

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Pinter & misogyny post #MeToo: Was the playwright ahead of the curve or playing for laughs?

In Features, London theatre, Opinion, Plays, Ticket recommendations by Rev StanLeave a Comment

Pinter Six of the Pinter at the Pinter season is the first that I can say I quite enjoyed but it didn’t stop a nagging question I’ve had for a while: Was Pinter a misogynist? I’m not alone as it was the first question in the post-show Q&A with director Jamie Lloyd and cast members Celia Imrie, Ron Cook and Abraham Popoola.

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NEWS: Zawe Ashton & Charlie Cox join Tom Hiddleston in Betrayal as part of Pinter at the Pinter season

In London theatre, Native, News, Plays, Press Releases, Quotes, Sticky, Ticket recommendations by Press ReleasesLeave a Comment

Two of the country’s most exciting young stars, Zawe Ashton and Charlie Cox, will Tom Hiddleston in The Jamie Lloyd Company production of Harold Pinter’s Betrayal at the Harold Pinter Theatre from 5 March 2019 until 1 June (press night is 13 March) for a strictly limited season ending on 1 June, directed by Jamie Lloyd. The production forms the culmination of the historic Pinter at the Pinter season.

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‘Eminently watchable’: PINTER SIX – West End

In London theatre, Opinion, Plays, Reviews, Ticket recommendations by Ian FosterLeave a Comment

One of the benefits in producing such a wide-ranging festival as Pinter at the Pinter has been the flexibility in its programming, allowing for thematic evenings to emerge as opposed to a straight chronological trip through the canon. So here, Jamie Lloyd is able to bring together two plays set at gatherings, both conveniently cast for nine people.