Betrayal is a real gem from the Pinter collection, benefiting from the minimalist design and slick direction of this production – Charlie Cox’s performance is a real highlight.
Text of the Day: Betrayal
Random and topical thoughts and quotes gathered by My Theatre Mates contributor Aleks Sierz, first published on www.sierz.co.uk.
‘Nothing less than astonishing’: Pinter At The Pinter Season – West End
In just six months, Jamie Lloyd’s creative team and ever-changing company of actors has utterly transformed our perspective on Harold Pinter.
‘This was always going to be the treasure’: BETRAYAL – West End ★★★★
More praise has always met the political paranoia and over-relished bullying aggression of Pinter’s other plays, long and short: Jame Lloyd’s Pinter season has been a triumph. But for me Betrayal was always going to be the treasure.
REVIEW ROUND-UP: Betrayal at Harold Pinter Theatre
Tom Hiddleston stars in Jamie Lloyd’s revival of Harold Pinter’s play Betrayal. Love London Love Culture rounds up the reviews…
‘Staged with enormous intelligence & emotional energy’: BETRAYAL – West End
Tom Hiddleston is back! And in excellent form in Jamie Lloyd’s revelatory revival of the 1978 Pinter classic Betrayal.
‘A stunning piece of theatre’: BETRAYAL – West End
Jamie Lloyd’s terrific Pinter season, at London’s Harold Pinter Theatre, climaxes with a revival of Betrayal, arguably one of the writer’s more personal pieces and one of his most innovative and beguiling.
‘You need the laughs because it reminds you to breathe’: BETRAYAL – West End
Hiddleston, Ashton and Cox deliver precise, layered performances in a production that grips with tension. I think Lloyd has saved the best to last in his Pinter at the Pinter season.
‘It’s everything you could hope for’: BETRAYAL – West End
Betrayal is everything you could hope for. The Pinter at the Pinter season has set a very high standard for itself, but what a swansong this has turned out to be.
‘Culmination of a triumphant season’: PINTER SEVEN – West End
The culmination of Jamie Lloyd’s Pinter at the Pinter season, which has been a triumph, is two short plays from very early in Harold Pinter’s career both of which he directs. Not has only the production of all Pinter’s short plays proved that there is a large, enthusiastic audience for apparently difficult and oblique drama; it has also made the case that Pinter’s short drama, comparatively overlooked, should be judged on a level with his full-length plays. They include some of his best writing.