A Killer Party is a camp musical comedy murder mystery based around the world of showbiz – what’s not to like?
It’s the merry month of May, which means it is… Eurovision! To celebrate, stream.theatre is hosting a virtual revival of Craig Christie’s witty parody of our country cousins across Europe, Eurobeat: The Pride of Europe.
Casting has been announced for the UK premiere of A Killer Party which will be released as a series of nine episodes to watch on-demand. The dates have now changed from the previous announcement to 26 April to 23 May 2020.
SLEEPLESS, A Musical Romance, which announced last month it would begin socially distanced indoor performances at the Troubadour Wembley Park Theatre from 25 August until 27 September 2020, will begin using a new accurate Covid-19 test on cast, musicians, crew and theatre staff on a daily basis during rehearsals and the run of the show.
Beg, borrow or steal to get a ticket to this show in this beautiful gem of theatre. Mame at the Hope Mill Theatre is well worth a trip to Manchester.
Ruthless? Charging up to over £70 for a show at the Arts. Ruthless? Advertising yourselves as an all-female musical when you’ve a man in the cast. Ruthless? Putting said man above the title because he’s a talent show judge. Ruthless indeed.
Ruthless isn’t a masterpiece, but while I wasn’t the biggest fan, I know others who will lap it up. There’s certainly a market for this over the top, zany, crude show and I can see it doing well.
Harriet Thorpe will be co-hosting the Mousetrap Theatre Projects 21st Anniversary Gala at the Prince of Wales Theatre on Sunday 18 March alongside Christopher Biggins. She spoke to Love London Love Culture about the importance of the charity…
Jason Gardiner, Lara Denning, Kim Maresca, Harriet Thorpe and Tracie Bennett join the company of Joel Paley and Marvin Laird’s award-winning all-female character camp killer cult classic Ruthless! The Musical for its 14-week run at the Arts Theatre.
Cabaret is a show which has had many a revival and many a cast recording made from those productions but it is Rufus Norris’ 2006 interpretation that seems to have lingered the longest; a new touring version starring Louise Redknapp and Will Young starts at the New Wimbledon in late September.
This week, the London theatre bloggers discuss the West End transfer of flash-bang-wallop musical Half a Sixpence, the revival of Ronald Harwood’s The Dresser starring Ken Stott and Reece Shearsmith, and the recent UK premiere of One Night in Miami.
Any opinion I might have had about Ronald Harwood’s The Dresser inevitably comes tainted with his apparent inability to open his mouth without spouting some kind of crap or other.
Great work from Ken Stott and Reece Shearsmith saves a nostalgic drama from wallowing in its own Britishness.
Witty and heartfelt, Ken Stott and Reece Shearsmith’s evocation of this classic play about theatre life is moving and impressive. The house darkens, the curtain lifts and bombs shake plaster from the ceiling. We are in the middle of a ‘tatty tour of the provinces’, marooned in the dressing room of a theatre battered by German shelling in the 1940s.
There’s a timeless nostalgia to Ronald Harwood’s The Dresser that captures a particular snapshot of England during the Second World War. With the country’s fit young men called up to fight, it’s left to the “cripples, old men and Nancy boys” to tread the boards.
But under Sean Foley’s direction, and with a particularly fine and sensitive cast, this time the play speaks clearly of wider human truths as well as sparking and stabbling with irresistible wit (Foley admits surprise on re-reading it at how much he laughed). Reece Shearsmith is perfection as Norman the dresser.
The first images of Ken Stott and Reece Shearsmith in a new production of Ronald Harwood’s The Dresser were released today, along with two new cast members: Selina Cadell and Harriet Thorpe. The Dresser, directed by Sean Foley, will play at the West End’s Duke of York’s Theatre from 5 October 2016 to 14 January 2017
Get a ticket and go and see The Girls. It is a phenomenal production. A thunderous applause and a well deserved standing ovation greeted the passionate performers and production crew on the press night. Being able to witness everybody around you in the stalls leap to their feet, cheering and clapping is a rare occurrence and a worthy testimony to show how fabulous The Girls really is. Just go.
I voted in the inaugural West End Wilma Awards this morning – and experienced an intense feeling of déjà vu. My own awards past Fourteen years ago, I founded the WhatsOnStage Awards almost by accident. That year, when the Olivier Awards released its shortlists in January, I published them on the website and invited people […]