Richard Twyman’s production of Harrogate proves to be rather unsettlingly brilliant, anchored by two expertly slippery performance from Sarah Ridgeway and Nigel Lindsay.
Al Smith’s debut play about love, perversion and memory is both electrifying and emotionally satisfying.
Old theatrical war horses don’t come any older, warty or horsier than The Mousetrap. The longest running show in the history of theatre has recently licenced a national tour alongside its 63rd consecutive year in the West End.
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A WINNER AND A LOSER Human beings sometimes – disastrously – get erotically fixated on one phase of their sexual history. In the case of Patrick (Nick Sidi) it is a teenage moment. He met and adored his wife when … Continue reading →