Presented by Bill Kenwright and founded and led by artistic director Paul Taylor-Mills, the Turbine Theatre is a brand new theatre on the banks of the Thames next to the iconic Battersea Power Station.
Original West End cast members Killian Donnelly and Matt Henry will return to the London production of Kinky Boots when it is filmed later this month for future worldwide screening.
A new UK touring production of Kinky Boots will open on 19 September 2018 at Royal & Derngate in Northampton, returning to the home of this British story, whilst the West End production continues at the Adelphi Theatre.
High kicks and high camp dominate La Cage Aux Folles, at the Playhouse, as it explodes in a glorious melange of sequins, feathers and a timely political message wrapped up in an over-sugared package.
It takes seasoned performer Matt Henry (Olivier award winner, Best Actor In a Musical) as feisty drag queen Lola to kick Kinky Boots back into high gear. Ultimately this musical works best when allowed to go the whole hog, camp as Christmas and twice as fabulous.
Bill Kenwright presents the much loved musical LA CAGE AUX FOLLES with John Partridge as ‘Albin/Zaza’ and American TV star Adrian Zmed as ‘Georges’, opening at New Oxford Theatre on Thursday 5 January 2017 before embarking on its first-ever nationwide tour, with further dates to be announced.
“People”, who didn’t manage to nab their seats fast enough for the Menier Chocolate Factory’s Funny Girl can most definitely rest easy in the knowledge that this acclaimed and triumphant revival is an even bigger and better show following its transfer across the river to the Savoy. Sheridan Smith’s Fanny Brice simply oozes star quality.
Kinky Boots, Broadway’s huge-hearted, high-heeled hit, today announces the opening of a new booking period, with tickets now available until Saturday 24 September 2016. Tickets for this extended period will go on sale from Monday 1 February 2016.
In musical theatre happenings, the big news last night was London’s first major revival of Jule Styne’s Broadway classic Funny Girl. The big question: could Sheridan Smith lay to rest the ghost of Barbra Streisand, who originated the role of Fanny Brice on stage and (Oscar-winning) screen? And the big answer: a resounding yes.
Imelda Staunton may have just wowed in Styne and Sondheim’s Gypsy, but hard on her heels is Sheridan Smith’s take on Fanny Brice. In a role that famously demands an unconventional beauty – and which, from both Broadway and Hollywood launch pads Barbra Streisand was rocketed into the highest of stellar orbits – Smith has enormously famous shoes to fill.
The Menier Chocolate Factory today announces full casting for their production of Funny Girl. Joining Sheridan Smith as Fanny Brice are Valda Aviks (Mrs O’Malley), Natasha J Barnes (Emma/Mrs Meeker), Darius Campbell (Nick), Marilyn Cutts (Mrs Brice), Maurice Lane (Mr Keeney), Bruce Montague (Ziegfeld), Joel Montague (Eddie), Gay Soper (Mrs Strakosh); with Emma Caffrey, Matthew Croke, Joelle Dyson, Rebecca Fennelly, Luke Fetherston, Leah Harris, Kelly Homewood, Sammy Kelly and Stuart Ramsay completing the ensemble.
This week the London theatre bloggers discuss Nicole Kidman in Photograph 51, Headlong’s People, Places and Things at the National, and Harvey Fierstein play Casa Valentina at Southwark Playhouse.
Have you seen the raft of rave reviews for our Featured Show? The European premiere of Harvey Fierstein‘s Casa Valentina, which is now running at London’s Southwark Playhouse, has wowed critics and has also been nominated for four OffWestEnd.com Awards, including Best Play. Scroll down for links and excerpts from some of our favourite reviews, plus some top-value Valentina videos… DON’T MISS THIS SHOW! Casa …
On this week’s bumper podcast, the London theatre bloggers discuss West End musicals Kinky Boots and Dusty, as well as Off-West End plays Hatched ‘n’ Dispatched, The Man Who Had All the Luck and And Then Come the Nightjars.
Harvey Fierstein’s second London opening this week after Kinky Boots is Casa Valentina, which makes its European premier at the Southwark Playhouse and proves a remarkable piece of theatre.
Two years after its Broadway debut, Kinky Boots strides into London’s Adelphi Theatre, helmed by Jerry Mitchell who is evidently looking to repeat the show’s award-winning success over here.
Based on the BBC film of a decade ago – in turn inspired by true events – Kinky Boots tells of a Northampton based shoe factory facing closure, that stumbles across the idea of making women’s fashion thigh-length boots but built for a man’s body. As their kinky boots go down a storm amongst the transvestite and drag community, the company is saved.
I make up with Robert Lindsay and meet with the wonderful Mark Rylance, but I have more mixed emotions about Harvey Fierstein, even as I’ve seen three shows connected to him in the space of six days.
If the shoe fits, they say, wear it. But in truth there’s always been a bit of a size differential between Kinky Boots, the modest urban Brit-flick, and the Cyndi Lauper/ Harvey Fierstein musical that it spawned. Lauper’s score resides principally in the funk and spunk of cross-dressing catwalk glamour while the somewhat dowdy spirit of Northamptonshire – the vernacular of the piece – is barely hinted at in the “Price and Son Theme” of the opening number.
This morning I’m delighted to be in agreement with most of the overnight critics awarding a slew of four stars to last night’s opening: the London premiere of another New York import. Of course, this import has a strong British pedigree. I’m talking about Kinky Boots, of course, the Broadway musical based on the 2005 […]
THESE BOOTS ARE MADE FOR DANCING. IF YOU DARE. Sequins, feathers, glitter, two and a half hours of hurtling from one noisy shining set-piece to another, this is more of a gig than a drama. If you’re fine with that … Continue reading →
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