Love London Love Culture rounds up the reviews for Jack Thorne’s adaptation of Hirokazu Kore-eda’s film of the same name now playing at the National Theatre.
NEWS: Olivier & Dorfman Theatres will reopen in June 2021 with Under Milk Wood & Jack Thorne’s new play After Life
The National Theatre has announces plans to reopen in June, welcoming audiences back to the South Bank for the first time since closing last December. The Olivier Theatre will reopen on 16 June 2021 with Under Milk Wood by Dylan Thomas. The Dorfman Theatre will reopen on 2 June for the first time since February 2020 with the previously announced co-production with Headlong, After Life written by Jack Thorne and directed by Jeremy Herrin.
‘Powerful & engaging piece of work’: PHOENIX – English Touring Theatre ★★★★
Mike Bartlett’s new monologue Phoenix effectively explores how people in power abuse the rules set in place for everyone – except seemingly for those in positions of trust.
NEWS: UK’s leading touring theatre companies will join forces to present Signal Fires
The UK’s leading touring theatre companies are uniting this autumn to present Signal Fires, a nationwide project inspired by one of the original forms of theatre – storytelling around a fire.
NEWS: Headlong & Century Films announce major new digital series of short plays
Award-winning theatre company Headlong, in association with the BAFTA-winning Century Films, have announced Unprecedented: Real Time Theatre From a State of Isolation, a major new digital project, bringing together celebrated playwrights to create a series of short digital plays, as a response to the current global crisis.
‘Fails to hit its target’: FAUSTUS: THAT DAMNED WOMAN – Lyric Hammersmith
There is fine work from Jodie McNee as Johanna Faustus in Faustus: That Damned Woman but the piece is overshadowed by a disappointing structure that sidelines real, factual female achievement in praise of the patriarchy.
NEWS: Rachel O’Riordan’s debut season at Lyric Hammersmith continues with Chris Bush’s Faustus: That Damned Woman
Rachel O’Riordan’s debut season as artistic director at Lyric Hammersmith continues this month with Faustus: That Damned Woman, a co-production between the Lyric and Headlong, in association with Birmingham Repertory Theatre.
NEWS: Headlong announces Jeremy Herrin’s last season as artistic director
Headlong has announced its programme for 2020/21, the final season under current artistic director Jeremy Herrin.
‘Disappointingly uneven’: ALL MY SONS – The Old Vic
Revival of Arthur Miller’s classic family drama All My Sons is very starry but the result is disappointingly uneven.
FEATURED SHOW: Check out the ★★★★ reviews for Headlong’s ‘heart-stopping’ Richard III at Alexandra Palace
“Thrilling”, “illuminating” & “excellent” – Headlong’s new production of Richard III has impressed critics in both Bristol, where it opened earlier this month, and at Alexandra Palace, where it continues until 31 March. Take a look at the fantastic reviews we’ve gathered together, then book your tickets!
‘Riveting & aesthetically smashing production’: RICHARD III – Alexandra Palace
Forgive me for blending my Shakespeares, but when I try to summarise Headlong’s Richard III, the phrase that comes to mind is pure sound and fury. And wicked good fun, too.
‘Deserves to be seen far & wide’: RICHARD III – London & Touring ★★★★★
Truly great acting is rare to see on stages these days, the type that elevates good work into a higher form of art. Yet right now at Bristol Old Vic, Tom Mothersdale’s Tricky Dicky, Richard III, is music, verse and sculpture of the highest order.
PRODUCTION IMAGES: Step into the dark, reflective world of Headlong’s Richard III
Mirrors, mist and paper crowns – the world of Headlong’s Richard III looks dark, Gothic and ominous. Check out these stunning production shots from the touring production’s run at Bristol Old Vic, then book your tickets for its run at London’s Alexandra Palace!
BEHIND THE SCENES: Discover more about the restoration of Alexandra Palace’s Victorian theatre before the arrival of Richard III
Alexandra Palace Theatre, which hosts Richard III from 13 to 31 March 2019, entertained audiences of thousands during its Victorian heyday, but has been closed to the public for 80 years. Thankfully it is open once more and co-producing the Shakespearean classic. Take a look at the fascinating restoration process.
GALLERY: Peek into rehearsals for Headlong & Alexandra Palace’s exciting new version of Richard III
Crowns, contortion and the most neatly arranged mood wall you’re ever likely to see – take a look into rehearsals for Richard III, then book your tickets to see it as it comes to the newly restored Alexandra Palace Theatre from 13 to 31 March 2019!
NEWS: Shakespeare returns to Alexandra Palace with Headlong co-production of Richard III
Far from a winter of discontent, March 2019 is the spring of excitement, as Alexandra Palace mounts its first ever co-production, staging Shakespeare’s Richard III with Headlong, Bristol Old Vic, Royal & Derngate Northampton and Oxford Playhouse. The history play runs in the newly restored London venue from 13 to 31 March.
NEWS: Rachel Chavkin makes her Old Vic directing debut in 2019 season which also includes premiere of new Lucy Prebble play
Matthew Warchus’ fourth season as artistic director of The Old Vic completes with an Arthur Miller double-bill (featuring Rachel Chavkin’s Old Vic directorial debut), a world premiere by Lucy Prebble and a special One Voice performance.
LABOUR OF LOVE – West End
Comedy about Labour Party history is starry, but politically reactionary and tediously overblown.
COMMON – National Theatre
Common, DC Moore’s paganistic tale of one woman’s desire to save the lady she loves from an oncoming darkness, is causing quite the stir – for all the wrong reasons.
COMMON – National Theatre
History is a tricky harlot. She is bought and sold, fought for and thrown over, seduced and betrayed — and always at the mercy of the winners. In a general election week, it is hard to deny that still now we are the progeny of the possessive individualism of previous centuries.
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