Revival of Arthur Miller’s classic family drama All My Sons is very starry but the result is disappointingly uneven.
“Thrilling”, “illuminating” & “excellent” – Headlong’s new production of Richard III has impressed critics in both Bristol, where it opened earlier this month, and at Alexandra Palace, where it continues until 31 March. Take a look at the fantastic reviews we’ve gathered together, then book your tickets!
Forgive me for blending my Shakespeares, but when I try to summarise Headlong’s Richard III, the phrase that comes to mind is pure sound and fury. And wicked good fun, too.
Truly great acting is rare to see on stages these days, the type that elevates good work into a higher form of art. Yet right now at Bristol Old Vic, Tom Mothersdale’s Tricky Dicky, Richard III, is music, verse and sculpture of the highest order.
Mirrors, mist and paper crowns – the world of Headlong’s Richard III looks dark, Gothic and ominous. Check out these stunning production shots from the touring production’s run at Bristol Old Vic, then book your tickets for its run at London’s Alexandra Palace!
Alexandra Palace Theatre, which hosts Richard III from 13 to 31 March 2019, entertained audiences of thousands during its Victorian heyday, but has been closed to the public for 80 years. Thankfully it is open once more and co-producing the Shakespearean classic. Take a look at the fascinating restoration process.
Crowns, contortion and the most neatly arranged mood wall you’re ever likely to see – take a look into rehearsals for Richard III, then book your tickets to see it as it comes to the newly restored Alexandra Palace Theatre from 13 to 31 March 2019!
Far from a winter of discontent, March 2019 is the spring of excitement, as Alexandra Palace mounts its first ever co-production, staging Shakespeare’s Richard III with Headlong, Bristol Old Vic, Royal & Derngate Northampton and Oxford Playhouse. The history play runs in the newly restored London venue from 13 to 31 March.
Matthew Warchus’ fourth season as artistic director of The Old Vic completes with an Arthur Miller double-bill (featuring Rachel Chavkin’s Old Vic directorial debut), a world premiere by Lucy Prebble and a special One Voice performance.
Comedy about Labour Party history is starry, but politically reactionary and tediously overblown.
Common, DC Moore’s paganistic tale of one woman’s desire to save the lady she loves from an oncoming darkness, is causing quite the stir – for all the wrong reasons.
History is a tricky harlot. She is bought and sold, fought for and thrown over, seduced and betrayed — and always at the mercy of the winners. In a general election week, it is hard to deny that still now we are the progeny of the possessive individualism of previous centuries.
Here I was watching the style of archaic, combative, misogynistic, blinkered, self-serving power politics which have helped to bring this country and the USA to a terrifying position of ungovernability which we are living through today.
Cast is announced today for Sam Pritchard’s radical new staging of George Bernard Shaw’s Pygmalion. A co-production between Headlong, Nuffield Theatres Southampton and West Yorkshire Playhouse, it will open to press in Leeds, where it runs from 4 to 25 February 2017.
we’re looking backwards and forwards for our final list today. These are our current Top 15 Ticket Recommendations – broken down into five musicals, five plays and five ‘star attractions’ (in other words, there are famous faces in the cast) – based on both best-sellers over the past month as well as our predictions on the hottest of upcoming openings…
artistic director Rufus Norris announced the flagship institution’s 2017 season which will include four world premieres – including a current work-in-progress on the state of Brexit Britain – two European premieres and new work by Inua Ellams, Yaёl Farber, DC Moore, Lindsey Ferrentino and Nina Raine.
Political turmoil. It’s nothing new. And we are certainly reminded of that here! Set during the troubled Labour Government of the mid to late seventies, This House plays out, for the most part, in the Whips offices, the difference between the two like that of a Gentleman’s club to a working mans pub.
Jonathan Church and Alan Finch announce the Chichester Festival Theatre 2016 season – the last under their leadership as Artistic Director and Executive Director.
What an odd feeling not to be able to write or shout about theatre – or indeed see much theatre – for more than a month, which was the unfortunate situation I found myself in over the past month and a bit. It’s something I haven’t experienced since I first stumbled into Theatreland professionally and […]