Chekhov classic from the team behind the West End hit Summer and Smoke is too middle of the road
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‘A vibrant & meaningful interpretation’: THREE SISTERS – Almeida Theatre
It is a vibrant and meaningful interpretation of Chekhov’s Three Sisters that reaps rewards. Keep on an eye on this new theatre partnership, it could be around for many years to come.
NEWS: Jodie Prenger is cast in the National Theatre’s UK touring production of Shelagh Delaney’s A Taste of Honey
The National Theatre has announced a UK tour of Bijan Sheibani’s production of A Taste of Honey, Shelagh Delaney’s taboo-breaking 1950s play which was first produced in the Lyttelton Theatre in 2014. Designed by Hildegard Bechtler, the piece has been reconceived in an exciting new production, featuring a live onstage band, and will star Jodie Prenger as Helen. Further casting is to be announced.
‘There are moments here to be savoured’: ANTONY & CLEOPATRA – National Theatre ★★★★
At three and a half hours all in Antony and Cleopatra is a long haul, but with Fiennes and Okonedo making Shakespeare’s verse sing, there are moments here to be savoured.
‘Delivers on so much of its promise’: Antony & Cleopatra – National Theatre
After a genuinely exhilarating Julius Caesar at the Bridge Theatre a few months ago, Shakespeare’s subsequent tale Antony and Cleopatra has arrived at the National starring Ralph Fiennes and Sophie Okonedo.
‘Surely a candidate for best play of the year’: MOOD MUSIC – The Old Vic
Mood Music is all about the music industry and the pains of creativity. It is a powerful journey into the dark heart of music-making — and surely a candidate for best play of the year.
‘Fascinating examination of power in the entertainment industry’: MOOD MUSIC – The Old Vic
Joe Penhall’s new play Mood Music is set in the music industry and examines the complex and tricky personalities whose deep and longstanding knowledge of how the ‘business’ works means they have become adept at manipulating every system.
HAMLET – Harold Pinter Theatre
Andrew Scott’s interpretation of the Prince of Denmark is stylish, relevant and completely contemporary.
HAMLET – West End
Andrew Scott’s take on Hamlet, in Robert Icke’s Almeida production that has just transferred to the West End, is a testament to the versatility of Shakespeare’s prose. With Benedict Cumberbatch, TV’s Sherlock, having been London’s last celebrity Hamlet, Scott’s (who played Sherlock’s nemesis Moriarty) take on the role offers us a striking glimpse into the breadth of interpretation and intrigue that is offered by the Prince of Denmark.
CONSENT – National Theatre
Rape is such a serious social issue that it’s hardly surprising that several recent plays have tackled it. I’m thinking of Gary Owen’s Violence and Son, James Fritz’s Four Minutes Twelve Seconds and Evan Placey’s Consensual. All of these discuss, whether implicitly or explicitly, the notion of consent, which is the name of playwright and director Nina Raine’s latest drama about the subject.
SUNSET AT THE VILLA THALIA – National Theatre
Downton’s Elizabeth McGovern stars in a new play about Greece that is both intelligent and very enjoyable.
WASTE – National Theatre
Do scandals have a sell-by date? When it comes to sex and politicians, the answer is no. The tabloids, and the news-hungry public, still seem to relish a good story about a powerful man who is caught with his trousers around his ankles. So Harley Granville Barker’s Waste — first put on in 1907 and then rewritten some 20 years later — is ostensibly a highly relevant drama of a personal tragedy in which our characteristic national mix of prurience and puritanism gets a longwinded airing. Certainly, the plot is instantly recognisable.
Review: Trelawny Of The Wells (Donmar Warehouse)
How splendidly the Donmar adapts to every new production: from the blinding pennants of the Spelling Bee school gym to the stark guns-and-gantries of the all-female Julius Caesar and now an authentically lamp-black pickled Victorian music hall with soaring columns, creaking boards and a whiff of oranges and cheap scent in the pit. Rose Trelawny is the darling of […]
The post Review: Trelawny Of The Wells (Donmar Warehouse) appeared first on JohnnyFox.
Review: Trelawny Of The Wells (Donmar Warehouse)
How splendidly the Donmar adapts to every new production: from the blinding pennants of the Spelling Bee school gym to the stark guns-and-gantries of the all-female Julius Caesar and now an authentically lamp-black pickled Victorian music hall with soaring columns, creaking boards and a whiff of oranges and cheap scent in the pit. Rose Trelawny is the darling of […]
The post Review: Trelawny Of The Wells (Donmar Warehouse) appeared first on JohnnyFox.
Review: Blithe Spirit (Richmond Theatre)
There’s a whiff of mothballs at Richmond, and it’s not all coming from the audience in this starry but stolid revival of Noel Coward’s Blithe Spirit … A glossy 2009 Broadway production showcased Angela Lansbury in cracking and crackpot form as clairvoyant Madam Arcati and Rupert Everett in a role he was born to play, […]
The post Review: Blithe Spirit (Richmond Theatre) appeared first on JohnnyFox.
Review: Blithe Spirit (Richmond Theatre)
There’s a whiff of mothballs at Richmond, and it’s not all coming from the audience in this starry but stolid revival of Noel Coward’s Blithe Spirit … A glossy 2009 Broadway production showcased Angela Lansbury in cracking and crackpot form as clairvoyant Madam Arcati and Rupert Everett in a role he was born to play, […]
The post Review: Blithe Spirit (Richmond Theatre) appeared first on JohnnyFox.