Marcus Hercules’ Prison Game is a deeply human story, showing the devastating ripple effect of that first, flawed, guilty verdict.
Fat Blokes is not your typical dance show. It’s witty, queer, honest, and uncomfortable in all the right places. It’s nothing you expect it to be, but everything that it should be.
By exposing the dire consequences that arise from the misuse of power in relation to two of Shakespeare’s plays, HOME and Lyric Hammersmith have produced an innovative piece of theatre that deserves the utmost acclaim and remembrance for its sheer creativity and ambition.
On the strength of the performances, I cannot help but recommend Jesus Hopped the ‘A’ Train, but be sure to take your patience with you.
Circle Mirror Transformation at HOME, Manchester, is, despite its flaws, a pleasant night at the theatre made all the more enjoyable by this wonderful, sensitive production.
Taking inspiration from the 100th anniversary of the Russian Revolution, HOME Manchester present Andrew Upton’s beautifully touching translation of Anton Chekov’s Uncle Vanya.
Returning to Reims marks a new chapter for director Thomas Ostermeier. Differing from his previous interpretations including A Dolls House (2003) and Hamlet (2007), Returning to Reims is the first time the German director has adapted a text which was not originally intended for performance.
An existentialist who writes in the film noir/crime thriller genre, a compulsive writer for whom language and its derivations are a vital, never ceasing line of enquiry as a construct that goes towards making up the human condition, are just, as I take it, some of his other ongoing concerns.
With Christmas in full swing, it feels like a good time to look back at the highlights of a busy year for theatre in Manchester. Here are Upstaged Manchester’s theatrical highlights of 2016. Which shows would make your list?
“Where were you on June 15th 1996, when the bomb went off?” It’s a question etched into most Mancunians’ minds and this year marks the twentieth anniversary of the 1996 Manchester bombing.
The Encounter is an adventure story which gets inside your head. Literally. Every member of the audience is issued with a set of headphones and using cutting edge audio technology we are transported to the Amazonian rainforest where we find ourselves inside the head of Loren McIntyre, a stranded American photojournalist.
It’s pretty apt that the newest theatre in Manchester brings one of the first great works of theatre to its stage. The Oresteia, a Greek tragedy, is a trilogy which first saw the light of day back in 458 BC when it was performed in Athens at the Festival of the god Dionysus. This festival involved pitting poet against poet – a much grander version of the poetry slam competitions that we have today – needless to say Aeschylus’ The Oresteia was triumphant, taking home first-place.
Kristy Stott, for Upstaged Manchester, rounds up the many Manchester theatrical highlights in May: from The Lowry, the Royal Exchange, the Contact, the new HOME, the Kings Arms and many other great venues.