Sometimes, simplicity in narrative structure is more effective than twists, heaps of characters and subplots. Storytelling has been a powerful medium for time immemorial. in/out (a feeling) starkly depicts young, Eastern European woman Blue working in a London brothel after promised a cleaning job. Her client Ollie is a coked-up, suburban lad out for his mate’s stag do, but their encounter changes both their lives, at least for a little while.
Have you seen the reviews for our current Featured Show, Paul Minx’s new play The Long Road South, starring Michael Brandon and Imogen Stubbs? Plenty of comparisons are being made with Tennessee Williams… Scroll down for links and pull quotes from some of our favourite reviews.
Knickers, bras and other vintage undergarments (oh my!) dangle from the Hope Theatre ceiling in dim light, the discarded ghosts of sexual encounters long past. Arthur Schnitzler’s 1897 Reigen, or La Ronde as it is more commonly known from the French translation, is reinvented in musical form in Michael John LaChiusa’s early 1990s Hello Again.
““Only Forever” is a play that doesn’t end when the curtain comes. A true piece of great theatre.”
With much in the way of 90’s revivals and a quantifiable number of in-yer-face productions hitting London’s theatre scene this year, the resurrection of Anthony Neilson’s Penetrator at the Hope Theatre is nothing if not timely. Phil Croft directs a sharply comical and ultimately scary production of this grotesque and brutally honest play. Max and Alan are unemployed twentysomething friends, home-alone, wasting away the hours watching porn and re-inventing, with ingenious wit, songs from their past to re-live the moment in which their lives had seemingly more purpose and direction. And then there’s Tadge, the other guy. A dark and intensely weird guy who brings with him a totally different atmosphere and shifts the dynamic of the play.
Not only can Shakespeare be considered to be England’s greatest playwright, he is probably the most prolific when it comes to performances of his work. The plays are amazingly flexible in the many ways they can be stage and the latest production of “The Tempest” at The Hope Theatre by the Thick as Thieves Production company is a lovely case in point.