This is a smart and thoughtful interpretation of South Pacific that takes carefully considered approach to some of the problems in the scenario without fully absolving the characters for their behaviour and choices. Managing to balance the sparkle of the big set-pieces and the not so charming effects of military occupation with some serious emotional clout that will leave you wrung through at the end, this sets the standard against which future productions will be judged. With a UK tour running until November, Bali Ha’i is calling you, don’t resist.
In a year of revelations about the abuse of power and sexual misconduct, the timing couldn’t be better for Measure for Measure at the Donmar Warehouse, an intriguing tale of blackmail, morality and duty.
A new West End production opened this week in one of the most prestigious theatres in London, the show was The Wind In The Willows. Previously touring, it’s now hit London for a limited run at the London Palladium.
The Silent film era is the backdrop for a production of a musical that deserves to be shouted about.
Just why Mack & Mabel, running at Edinburgh Playhouse until 21 November, isn’t better known I can’t say. Maybe it’s that it’s never had the big screen treatment awarded to songwriter Jerry Herman’s Hello Dolly, Mame and La Cage Aux Folles.
If people remember anything about it, it’s generally that Torvill and Dean choreographed an award-winning routine to the overture.