Tag Archive

Album Review: Natasha Barnes – Real

In Albums, Musicals, Opinion, Reviews by Ian Foster12th December 2018Leave a Comment

Natasha Barnes really impresses with debut album Real, a shining example of contemporary pop done well.

‘Has lost none of its power here’: NINE NIGHT – Trafalgar Studios

In London theatre, Opinion, Plays, Reviews, Ticket recommendations by Ian Foster11th December 2018Leave a Comment

We celebrate the fact that Nine Night is the first play by a black British female playwright to make it into the West End, as Natasha Gordon’s debut makes the move from the National’s smallest space in the Dorfman Theatre to the Trafalgar Studios in one giant leap.

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Album Review: The Norm Lewis Christmas Album

In Albums, Audio, Musicals, Opinion, Reviews by Ian Foster7th December 2018Leave a Comment

I’m not sure who we apply to for these things but I really would like to see Norm Lewis return to the West End stage – I didn’t catch him in Les Mis but I did get the briefest look at him at a Lance Horne concert so Santa if you’re listening… In the meantime, we have to make do with the many pleasures of The Norm Lewis Christmas Album.

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‘There’s few better ways to spend a Sunday evening’: AUSTENTATIOUS – Savoy Theatre

In Comedy, London theatre, Opinion, Plays, Reviews by Ian Foster6th December 2018Leave a Comment

The first of three opportunities to see Austentatious at the Savoy Theatre in December in a hilariously scandalous affair indeed.

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‘Michelle Visage’s casting is a rather inspired move’: EVERYBODY’S TALKING ABOUT JAMIE – West End

In London theatre, Musicals, Opinion, Reviews, Ticket recommendations by Ian Foster3rd December 2018Leave a Comment

Chucking Michelle Visage into the cast of Everybody’s Talking About James at the Apollo Theatre is actually a rather inspired move.

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Album Review: Alfie Boe’s As Time Goes By

In Albums, Audio, Musicals, Opinion, Reviews by Ian Foster2nd December 2018Leave a Comment

Alfie Boe’s As Time Goes By makes for a hugely enjoyable listen, infused with passion and a thrilling musicality that should see it stuffed into many a stocking come 25 December.

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‘There’s not a weak link here’: SUMMER & SMOKE – West End

In London theatre, Opinion, Plays, Reviews, Ticket recommendations by Ian Foster30th November 2018Leave a Comment

Rebecca Frecknall’s production of Summer & Smoke has lost none of its charge, mainly through retaining the electric chemistry between its leads – an exceptional Patsy Ferran as Alma and Matthew Needham as John.

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‘Poses some really big questions about integration & representation’: THE MOORS – Tara Theatre

In London theatre, Opinion, Plays, Reviews by Ian Foster22nd November 2018Leave a Comment

Tonderai Munyevu’s The Moors at the Tara Theatre follows two African men on the hunt for Shakespeare and coming up hard against the realities for actors of colour.

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‘Truly innovative & potentially life-changing’: HADESTOWN – National Theatre – via smart caption glasses

In London theatre, Musicals, Opinion, Reviews by Ian Foster21st November 2018Leave a Comment

I try out the new smart caption glasses while watching Hadestown at the National Theatre and am blown away both by the show and the frankly amazing technology.

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‘Exploring how subjective memories can be’: PINTER FOUR – West End

In London theatre, Opinion, Plays, Reviews, Ticket recommendations by Ian Foster20th November 2018Leave a Comment

Pinter Four serves up something of a difficult double bill at the Harold Pinter Theatre, but Bríd Brennan and Janie Dee are there to help us through the dark times.

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