Ibsen’s play is infused with poetry and poetic technique. It is a sort of dirge to lives lived as waking death, while still retaining some hope of their resurrection.
‘Ruth Wilson is strong casting in the central role’: HEDDA GABLER – National Theatre At Home (Online review)
Ruth Wilson is strong casting in the central role with a, for once, restrained Ivo van Hove directing.
‘Urgent, provocative & familiar all at the same time’: NORA: A DOLL’S HOUSE – Young Vic Theatre
Despite the challenges, and judging by the Young Vic’s typically youthful, mixed audience, Nora: A Doll’s House is a production to which they can relate and which, so far as I could see, kept them on the edge of their seats.
New post-show Q&A: Join Terri for Lazarus Theatre’s reimagining of Ibsen’s Hedda Gabler
As part of her ongoing post-show Q&A series, Mates co-founder Terri Paddock gets to grip with Ibsen care of Lazarus Theatre company’s new ensemble take on Hedda Gabler at London’s Greenwich Theatre. Got any questions?
Terri trips: Ibsen via India in When the Crows Visit’s world premiere
I’ve been remiss in not getting back up to Kilburn, where I lived for many years, since the reopening of Kiln Theatre. But I was able to put that right with a trip to artistic director Indhu Rubasingham’s world premiere production of Anupama Chandresekhar’s When the Crows Visit.
NEWS: Lazarus Theatre announces Macbeth, Hedda Gabler & Peter Pan for 2020
Award-winning ensemble company Lazarus Theatre has announced their third annual residency at Greenwich Theatre with a 2020 line-up of three re-imagined classics – Macbeth, Hedda Gabler and Peter Pan – all with post-show Q&As chaired by MyTheatreMates co-founder Terri Paddock.
‘Haydn Gwynne in full snarling Hedda mode is something to see’: HEDDA TESMAN – Chichester ★★★
But more and more, there’s a sense in Hedda Tesman at the Minerva that what you are seeing is some damn fine acting in a rather ho-hum play.
‘A thoroughly plausible, engrossing update’: HEDDA TESMAN – Chichester ★★★★
Cordelia Lynn’s Hedda Tesman renews Ibsen’s play in the light of today without in any way losing sight of the original. In this age of radical reinterpretations, that’s quite some achievement.
‘A brave, praiseworthy effort to revitalise the original text’: AN ENEMY OF THE PEOPLE – Playground Theatre
Doubtless many might find it an acquired taste, but this version of An Enemy of the People remains a brave, praiseworthy effort to revitalise the original text, full of talent, provocative originality, and life.
‘A thing of pure beauty but fails to stir the heart’: ROSMERSHOLM – West End
Neil Austin’s lighting design in Rosmersholm at the Duke of York’s Theatre is a thing of beauty and Hayley Atwell is excellent but Ibsen is still Ibsen…
REVIEW ROUND-UP: Rosmersholm at Duke of York’s Theatre
Love London Love Culture rounds up the reviews for Rosmersholm at Duke of York’s Theatre, a new adaptation of Ibsen’s play.
‘Strong & serious but Rosmer got in the way’: ROSMERSHOLM – West End ★★★
I wanted to be more engaged with the fierce fin-de siecle political play that is Ibsen’s Rosmersholm, but Rosmer got in the way.
NEWS: Alex Kingston in gender-switch production of An Enemy of the People & Assassins revival are confirmed for Nottingham Playhouse autumn season
Award-winning actress, TV and film actress Alex Kingston will take on the lead of Dr Stockmann in An Enemy of the People from 13 to 28 September 2019 (press night is 17 September) as part of Nottingham Playhouse’s autumn season.
‘Uneven account’: THE LADY FROM THE SEA – Print Room at the Coronet
The Lady from the Sea, rarely performed in the UK, is a fascinating and alluring play, but this production from Norwegian Ibsen Company provides an uneven account.
NEWS: Tom Burke & Hayley Atwell will star in Rosmersholm at the Duke of York’s Theatre
Tom Burke and Hayley Atwell will star as John Rosmer and Rebecca West in Ian Rickson’s new production of Rosmersholm, Ibsen’s classic study of a country in political flux, in a new adaptation by Duncan Macmillan. Further casting will be announced soon.
‘Ultimately it lands a huge emotional punch’: THE WILD DUCK – Almeida Theatre ★★★★
Though Robert Icke’s didacticism can be irritating, this Wild Duck undoubtedly pulls its modern audience into Ibsen’s tense, spiralling emotions to powerful effect.
‘Still slow cooked, but mmm… delicious’: THE WILD DUCK – Almeida Theatre ★★★★
Robert Icke’s conversational, documentary production of The Wild Duck at the Almeida Theatre makes this complex morality play immediately accessible.
‘The core of the play is beautifully, tenderly, sadly rendered’: THE WILD DUCK – Almeida Theatre ★★★★
Director Robert Icke, most ingenious of re-framers and refreshers, presents Ibsen’s The Wild Duck, a classic of pain and lies, with a touch of meta-theatre at the Almeida Theatre.
NEWS: National Theatre’s new season features Andrea Levy’s Small Island, Caryl Churchill’s Top Girls & Lenny Henry as Richard Pryor
Rufus Norris has unveiled the National Theatre’s plans for 2019 and beyond. Highlights include the world premiere of Small Island adapted by Helen Edmundson from Andrea Levy’s novel, directed by Rufus Norris.
NEWS: The Print Room announces international season, including Don Delillo premiere
Print Room at the Coronet will present a year of outstanding and emotionally vivid new international performance by some of the world’s greatest most creative minds, including Pulitzer Prize winner Don Delillo, Ben Okri, Anthony Neilson and Stephen Dillane.
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