Ibsen’s play is infused with poetry and poetic technique. It is a sort of dirge to lives lived as waking death, while still retaining some hope of their resurrection.
Ruth Wilson is strong casting in the central role with a, for once, restrained Ivo van Hove directing.
Despite the challenges, and judging by the Young Vic’s typically youthful, mixed audience, Nora: A Doll’s House is a production to which they can relate and which, so far as I could see, kept them on the edge of their seats.
As part of her ongoing post-show Q&A series, Mates co-founder Terri Paddock gets to grip with Ibsen care of Lazarus Theatre company’s new ensemble take on Hedda Gabler at London’s Greenwich Theatre. Got any questions?
I’ve been remiss in not getting back up to Kilburn, where I lived for many years, since the reopening of Kiln Theatre. But I was able to put that right with a trip to artistic director Indhu Rubasingham’s world premiere production of Anupama Chandresekhar’s When the Crows Visit.
Award-winning ensemble company Lazarus Theatre has announced their third annual residency at Greenwich Theatre with a 2020 line-up of three re-imagined classics – Macbeth, Hedda Gabler and Peter Pan – all with post-show Q&As chaired by MyTheatreMates co-founder Terri Paddock.
But more and more, there’s a sense in Hedda Tesman at the Minerva that what you are seeing is some damn fine acting in a rather ho-hum play.
Cordelia Lynn’s Hedda Tesman renews Ibsen’s play in the light of today without in any way losing sight of the original. In this age of radical reinterpretations, that’s quite some achievement.
Doubtless many might find it an acquired taste, but this version of An Enemy of the People remains a brave, praiseworthy effort to revitalise the original text, full of talent, provocative originality, and life.
Neil Austin’s lighting design in Rosmersholm at the Duke of York’s Theatre is a thing of beauty and Hayley Atwell is excellent but Ibsen is still Ibsen…
Love London Love Culture rounds up the reviews for Rosmersholm at Duke of York’s Theatre, a new adaptation of Ibsen’s play.
I wanted to be more engaged with the fierce fin-de siecle political play that is Ibsen’s Rosmersholm, but Rosmer got in the way.
Award-winning actress, TV and film actress Alex Kingston will take on the lead of Dr Stockmann in An Enemy of the People from 13 to 28 September 2019 (press night is 17 September) as part of Nottingham Playhouse’s autumn season.
The Lady from the Sea, rarely performed in the UK, is a fascinating and alluring play, but this production from Norwegian Ibsen Company provides an uneven account.
Tom Burke and Hayley Atwell will star as John Rosmer and Rebecca West in Ian Rickson’s new production of Rosmersholm, Ibsen’s classic study of a country in political flux, in a new adaptation by Duncan Macmillan. Further casting will be announced soon.
Though Robert Icke’s didacticism can be irritating, this Wild Duck undoubtedly pulls its modern audience into Ibsen’s tense, spiralling emotions to powerful effect.
Robert Icke’s conversational, documentary production of The Wild Duck at the Almeida Theatre makes this complex morality play immediately accessible.
Director Robert Icke, most ingenious of re-framers and refreshers, presents Ibsen’s The Wild Duck, a classic of pain and lies, with a touch of meta-theatre at the Almeida Theatre.
Rufus Norris has unveiled the National Theatre’s plans for 2019 and beyond. Highlights include the world premiere of Small Island adapted by Helen Edmundson from Andrea Levy’s novel, directed by Rufus Norris.
Print Room at the Coronet will present a year of outstanding and emotionally vivid new international performance by some of the world’s greatest most creative minds, including Pulitzer Prize winner Don Delillo, Ben Okri, Anthony Neilson and Stephen Dillane.
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