Award-winning ensemble company Lazarus Theatre has announced their third annual residency at Greenwich Theatre with a 2020 line-up of three re-imagined classics – Macbeth, Hedda Gabler and Peter Pan – all with post-show Q&As chaired by MyTheatreMates co-founder Terri Paddock.
But more and more, there’s a sense in Hedda Tesman at the Minerva that what you are seeing is some damn fine acting in a rather ho-hum play.
Cordelia Lynn’s Hedda Tesman renews Ibsen’s play in the light of today without in any way losing sight of the original. In this age of radical reinterpretations, that’s quite some achievement.
Doubtless many might find it an acquired taste, but this version of An Enemy of the People remains a brave, praiseworthy effort to revitalise the original text, full of talent, provocative originality, and life.
Neil Austin’s lighting design in Rosmersholm at the Duke of York’s Theatre is a thing of beauty and Hayley Atwell is excellent but Ibsen is still Ibsen…
Love London Love Culture rounds up the reviews for Rosmersholm at Duke of York’s Theatre, a new adaptation of Ibsen’s play.
I wanted to be more engaged with the fierce fin-de siecle political play that is Ibsen’s Rosmersholm, but Rosmer got in the way.
Award-winning actress, TV and film actress Alex Kingston will take on the lead of Dr Stockmann in An Enemy of the People from 13 to 28 September 2019 (press night is 17 September) as part of Nottingham Playhouse’s autumn season.
The Lady from the Sea, rarely performed in the UK, is a fascinating and alluring play, but this production from Norwegian Ibsen Company provides an uneven account.
Tom Burke and Hayley Atwell will star as John Rosmer and Rebecca West in Ian Rickson’s new production of Rosmersholm, Ibsen’s classic study of a country in political flux, in a new adaptation by Duncan Macmillan. Further casting will be announced soon.
Though Robert Icke’s didacticism can be irritating, this Wild Duck undoubtedly pulls its modern audience into Ibsen’s tense, spiralling emotions to powerful effect.
Robert Icke’s conversational, documentary production of The Wild Duck at the Almeida Theatre makes this complex morality play immediately accessible.
Director Robert Icke, most ingenious of re-framers and refreshers, presents Ibsen’s The Wild Duck, a classic of pain and lies, with a touch of meta-theatre at the Almeida Theatre.
Rufus Norris has unveiled the National Theatre’s plans for 2019 and beyond. Highlights include the world premiere of Small Island adapted by Helen Edmundson from Andrea Levy’s novel, directed by Rufus Norris.
Print Room at the Coronet will present a year of outstanding and emotionally vivid new international performance by some of the world’s greatest most creative minds, including Pulitzer Prize winner Don Delillo, Ben Okri, Anthony Neilson and Stephen Dillane.
The grounding comes in Kwame Kwei-Armah’s decision to transplant the play to 1950s Caribbean and in the casting of Nikki Amuka-Bird as Doctor Wangel’s second wife, Ellida giving her racial difference added weight as the family outsider and to her feelings of restlessness.
Nikki Amuka-Bird is captivating as Ellida, and Ellie Bamber as Hilde and Helena Wilson as Bolette are wonderful as the daughters, their strength, intelligence and humour tempered with the fragility of living in a world owned by men.
Ruth Wilson takes on the leading role in this Ibsen classic, radically reinterpreted in Ivo Van Hove’s debut production for the National Theatre. It runs in rep in the Lyttelton Theatre until 21 March 2017. What have critics made of it?
In this new version of Ibsen’s play by Patrick Marber, director Ivo van Hove has the equally extraordinary talents of Ruth Wilson leading his company. And as with his revelatory A View From The Bridge, this is a contemporary reworking of a classic that will frustrate some with its froideur but left me gasping at its gut-wrenching rawness.
Of all Ibsen’s creations, the strangest is Hedda Gabler. Rarely has she been more alarming, yet more credible, than in Ruth Wilson’s stunning performance under Ivo van Hove.
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