Shit-faced Showtime has returned to their London home, the Leicester Square Theatre, for their annual yuletide version of Charles Dickens’ A Christmas Carol, this time A Pissedmas Carol. The USP of this particular Christmas Carol, to distinguish it from the other versions across the country, is that one member of the cast is completely hammered and the rest of the case have to work around and incorporate their drunken ramblings into the show.
When you book tickets to a musical you would ordinarily expect to see a highly polished, carefully choreographed production where every line, step and song has been rehearsed a hundred times. Not so if you’re heading to Hackney Empire for An Improbable Musical, a show which will be improvised before your eyes.
During a 90-minute livestream, viewers were treated to some iconic performances from around the world in isolation.
Marvellous musical improvisers Notflix are set to create fabulous fun-filled films before audiences eyes as they bring their hit, entirely made-up show to the VAULT Festival from 6 to 10 March 2019.
Inspired by the humour and spontaneity that comes from cold reading, Nassim Soleimanpour has developed what has become his trademark style of reflective, personal writing performed by an actor who knows nothing of the play.
Oneohone – a company specialising in interactive pieces – showcase a series of six shows, and I can only imagine that the other pieces were more successful than the piece that I see, which was at times a stilted, awkward affair.
Drolls (director Brice Stratford explains) were short, raucous, illegal plays from the 17th Century. Oliver Cromwell and the Puritan interregnum banned theatre from 1642, but drolls were performed in pubs and alley ways to keep theatrical traditions going.
Wunderkammer works by having a professional make a speech in front of the audience and performers, and from that the ensemble and musicians take ideas, stories and characters and make a series of comedic sketches. Think a funky extension of a TED talk.
Rob Drummond and his wife Lucy are celebrating their fifteenth anniversary. As a gift to her, he made a show where two single audience members have the opportunity to go on a first date there and then in the hope of finding the sort of love he has with Lucy.
You won’t see this show again, nor the other Showstoppers’ evenings I have loved in Edinburgh. If you weren’t there tonight you’ve missed a medley of Daily Mail headlines in the style of Fiddler on the Roof, a Mamma Mia finale, a Gypsy Kings’-style stamping love duet, a corgi chorus, Shakespeare rap, West Side Story rumble at the Cereal Cafe to a backing of “Snap Crackle and Pop”, and a moody Kurt Weill number. But don’t worry. Get down to the Apollo, shout a few suggestions at random, tweet some more dodgy suggestions in the interval, and watch your most feverish, late-night musical-theatre fantasies come true.