Despite its absurdist style, Pass Over is a political play whose message is indisputable. The evening is a powerful mixture of male camaraderie, brutality and almost casual defiance.
Anupama Chandrasekhar’s chilling play examines what happens when a cycle of violence and those who stand by and watch it happen is passed down through the generations.
Reviews are in for Anupama Chandresekhar’s “startling and powerful” new “haunting beast of a play” When the Crows Visit at London’s Kiln Theatre, where it continues until 30 November. We’ve rounded up highlights from Asian culture vultures and other critics. Time to get booking!
I’ve been remiss in not getting back up to Kilburn, where I lived for many years, since the reopening of Kiln Theatre. But I was able to put that right with a trip to artistic director Indhu Rubasingham’s world premiere production of Anupama Chandresekhar’s When the Crows Visit.
Director Indhu Rubasingham spares us none of the rage and horror of violent mutilation as male anger rises against women who are educated in Anumpama Chandrasekhar’s play When The Crows Visit and – this makes you wince – of female complicity in the middle and oldest generations
The world premiere of leading Indian dramatist Anupama Chandresekhar’s When the Crows Visit has just officially opened at London’s Kiln Theatre, where it continues until 30 November. Have a look at artistic director Indhu Rubasingham’s sumptuous production – and then get booking!
Anupama Chandrasekhar’s tense and searching new play When the Crows Visit is a theatrical response to the 2012 Delhi gang rape of a young woman on a bus. These men walk among us, protected by the very society they are undermining; how does that happen?
The world premiere of When the Crows Visit reunites writer Anupama Chandresekhar and director Indhu Rubasingham (and leading lady Ayesha Dharker), who have the Royal Court Theatre’s late international director Elyse Dodgson to thank for bringing them together.
Less than three weeks until performances start for the world premiere of Indian dramatist Anupama Chandresekhar’s When the Crows Visit, inspired by Ibsen’s Ghosts and true events. What have Kiln Theatre artistic director Indhu Rubasingham been putting the cast through in rehearsals?
The Kiln Theatre is on a roll! With Blues in the Night packing in audiences in Kilburn this summer and their production of The Son about to open in the West End, it’s time to look ahead to this autumn’s world premiere of Indian dramatist Anupama Chandresekhar’s When the Crows Visit, inspired by Ibsen’s Ghosts and true events. Have you seen full casting details? Time to get booking!
Artistic Director of Kiln Theatre Indhu Rubasingham has announced the London première of Mike Bartlett’s latest play Snowflake which will run at the Kiln Theatre from 10 December 2019 to 18 January 2020 (opening on 16 December), directed by Clare Lizzimore.
Wife at the Kiln Theatre is a decade-hopping epic about marriage and sexual identity which joyfully celebrates the art of theatre.
Christopher Haydon, the former artistic director of the Gate Theatre in London, has written the book About The Art of the Artistic Director.
An imaginative adaptation of Zadie Smith’s 2000 contemporary classic White Teeth at the Kiln Theatre is let down by unnecessary music.
Coyly advertised as Holy Sh!t, actor and writer Alexis Zegerman’s new play is a topical account of the lengths that some parents will go to get their kids into the best local schools.
Kiln Theatre’s artistic director Indhu Rubasingham has today announced that Inua Ellams’ The Half God of Rainfall joins the line-up for the opening season.
The actress Dorothea Myer-Bennett spoke to Love London Love Culture’s Emma Clarendon about starring in the world premiere production of Alexis Zegerman’s Holy Sh!t at the Kiln Theatre from 5 September to 6 October 2018.
Kiln Theatre artistic director Indhu Rubasingham today announces the full cast for the world premiere of Stephen Sharkey’s adaptation of Zadie Smith’s White Teeth.
The cast has been announced for Kiln Theatre artistic director Indhu Rubasingham’s world premiere production of Alexis Zegerman’s Holy Sh!t, the first in the newly refurbished venue (previously the Tricycle), reopening after a major capital redevelopment project.
With Mapping Brent running at venues across the local community, artistic director Indhu Rubasingham has announced the opening season at the company’s newly refurbished theatre, which sees the Tricycle Theatre relaunch as Kiln Theatre.