Sonia Friedman Productions is celebrating after the Broadway transfers of The Ferryman and Ink garnered six wins at the 2019 Tony Awards, while the National Theatre had plenty to be happy about following Bryan Cranston being named Best Leading Actor in a Play for Network and Hadestown (which finished a run at the National in January this year) scooping eight awards.
Sam Mendes’ Olivier Award-winning production of Jez Butterworth’s The Ferryman received equal top billing at this week’s Tony Awards 2019 nominations announcement alongside the hit Broadway production of To Kill a Mockingbird. The productions both have nine nods including ones for Ferryman actors Paddy Considine (Best Performance by an Actor in a Leading Role in a Play), Fionnula Flanagan and Laura Donnelly. The …
Artistic director Rupert Goold has announced the Almeida Theatre’s new season.
So, that just happened! Despite some small disappointments in the nominations (nothing too much, just some things felt unnecessarily overlooked), I was rather looking forward to this year’s Oliviers.
New American musical Hamilton collected seven Olivier Awards including Best New Musical and The Ferryman went home with three prizes at the Olivier Awards 2018, the UK’s most prestigious stage honours announced tonight (Sunday 8 April 2018) at London’s Royal Albert Hall hosted by Catherine Tate.
Lots & lots of shows have their first performances in London and across the country this month, including new productions of Pinter’s The Birthday Party, Wilde’s Lady Windermere’s Fan, and Shakespeare’s All’s Well That Ends Well.
Any number of shows could have been included in this post; frankly it’s ludicrous that I decided to stick with my whole top 12 idea… As I’ve seen about 90 more individual shows than last year.
Much of my ‘touring’ has been concentrated in Bristol and Chichester; there are a few other UK venues to add to the list, as well as some from my week in New York, of course.
Naturally, facing what felt like a significant and unbreachable rift, instability and economic downturn was the likely outcome, which for the arts, could only mean one thing – cultural depletion – as audience seek safety in comfort and nostalgia.
Jez Butterworth’s The Ferryman, James Graham’s Ink and the National’s revival of Sondheim’s Follies dominate the shortlists for the 2017 Evening Standard Theatre Awards.
These are our current Top 15 Ticket Recommendations – broken down into five musicals, five plays and five ‘star attractions’ (in other words, there are famous faces in the cast) – based on both best-sellers over the past month as well as our predictions on the hottest of upcoming openings
I’ve had a rich few weeks for playgoing. A key theme in this batch of diary entries is the reward of visiting new, new-to-me or I-haven’t-been-in-so-long-they-feel-nearly-new venues.
Bertie Carvel’s Murdoch is remarkable, adopting a forward-pressing, tense keen hunch (almost his Trunchbull hunch) denoting a young(ish) man in a hurry, and in a temper with the hidebound old country which has snubbed him often enough.
Summer’s officially over, but don’t be sad – there’s plenty of great theatre to keep you happy. Love London Love Culture’s Emma Clarendon has rounded up the productions she’s most looking forward to in September. With Mates ticket links!
“I should warn you that nobody likes me”Truth be told, I resisted seeing Ink for the longest time, mainly because I had zero desire to see a play about Rupert Murdoch. I feel the same way about Thatcher – I will never see The Iron Lady (sorry Meryl) or…
It is a remarkably humane and thoughtful piece. And Goold and designer Bunny Christie make marvellous dramatic use both of newspaper office mess and hot-metal drama, now almost forgotten as the grey screens flip silently before dazed eyes in quiet offices or the bedrooms and cafes of freelancers.
In addition to the West End transfer of James Graham’s Ink, the Almeida Theatre has today announced its new season, including the stage premiere of The Twilight Zone and Mike Bartlett’s new play Albion.
Following its current sell-out season at the Almeida Theatre, which finishes on 5 August, the premiere of Ink, written by James Graham and directed by Rupert Goold, transfers to the West End’s Duke of York’s Theatre for a strictly limited season.
This world premiere production of James Graham’s play is directed by Rupert Goold and stars Bertie Carvel. But how have critics reacted to it?
He does his homework, does Graham, who is fast turning into our most consistent and energetic political farceur. If we can’t have That Was That Was, the next best thing – apart from The News Quiz, and The Now Show on `the wireless’ – is to have a Graham political drama every few months.
- Page 1 of 2