Tighter dialogue in the latter half and the addition of some physical theatre sequences give this update more sophistication, but a few of the original issues are still there. McNeill, who also directs, shows an inclination towards European theatre aesthetics, but he doesn’t quite go far enough.
There are loads of jokes and stereotypes about life within a heterosexual relationship – women talk too much, men don’t understand the difficulties of pregnancy, LTRs feel like a burden, and so forth. Of course each relationship has its unique aspects, but there are common elements that often make generalisations about love ring true.
Tommy Eden, a pensioner with a love for street performing since he retired, is dead. Local entrepreneur Alexander Sheldon’s security guards are responsible. Sheldon didn’t like Tommy performing outside his high end spa and leisure centre, but when the guards manhandled him off his patch, Tommy’s 87-year-old body couldn’t take it.
This year, four companies are receiving support from Underbelly to produce and market their latest work. Two of those are Milk Presents and Corner Shop Events, both offering solo performances but radically different in content and style.
Oli Forsyth has a great script on his hands, despite a hint of judgmental condescension towards millennials. The script states they waste their lives on jobs they hate, have no cultural or creative identity and surround themselves with material possessions to make their empty lives feel full.