Recently crowned winners of the Best Musical Production at the Off West End Awards, SpitLip is set to move their hit show Operation Mincemeat to the West End for a limited run this spring; they take over at the Fortune Theatre, following The Woman In Black‘s haunting 33-year run.
Love London Love Culture’s Emma Clarendon chatted to Julian Forsyth about starring in The Woman in Black as Arthur Kipps in London’s West End.
Alex Gibson-Giorgio plays Ramon in Zorro The Musical at London’s Charing Cross Theatre. He chats to us about the rehearsal process, what it’s like playing the villain and what audiences can expect from the musical.
As one-woman gig economy drama Empty in Angel heads towards the final venue ofits London tour, author James Woolf tells us about the inspiration for the show, the effect of Covid on his plans and the remarkable performances of Darcy Willison.
Maximus Polling reprises his titular performance as the ever-youthful Dorian in Blue Devil Theatre’s award-winning adaptation, transferring to Drayton Arms Theatre from 19 October.
The Tragedy of Dorian Gray, Ross Dinwiddy’s acclaimed 1960s-set reimagining of Oscar Wilde’s classic tale, transfers to London next month after its OffFest Award-winning success at this year’s Brighton Fringe.
“It’s been overwhelming and quite humbling to be frank.” Ross Dinwiddy has been taken aback by audience responses to The Tragedy of Dorian Gray at Brighton Fringe. Read what he has to say about updating the Wilde classic, the effect of Covid and filming the show, then book your tickets!
I may be woefully behind on my show write-ups, but I couldn’t not mark The Show Must Go Online coming to an end – at least until further notice.
Wendi Peters is “so looking forward to being back on stage and in front of a live audience again.” As she and the cast of Andrew Corbet Burcher’s comedy Going Ape! prepare to bring Biblical hilarity to the Union Theatre the former Coronation Street star tells us about the rib-tickling show, her Eve and socially distanced rehearsals.
Welcome back to the Fringe Focus series of interviews with artistic directors around London. Recently I caught up with Kennedy Bloomer, who has been running the Hope Theatre (above the Hope & Anchor pub in Islington) since January 2020.
I posed some questions to The Show Must Go Online returnees Luke Barton, Kristin Atherton, David Johnson and Lucy Aarden about their experiences with this weekly lockdown hit.
Theatre veteran and The Dock Brief director David Tudor tells us about working with John Mortimer, why his writing is timeless and what he’s learned over the years.
“Jekyll is the most narrative-driven game we’ve done so far… We wanted to see if we could do something where the story itself is the thing that compels you to keep on moving forwards.” The team behind immersive game Jekyll / Hyde told A Younger Theatre about their groundbreaking new Vault Festival show. Take a look at what they had to say, then book!
“Imagine watching an interrogation with a suspect who has a genius mind. You see the game being played and he [Stanley] knows you are watching.” Performer Aidan Valentine explains what caught his attention about evil/not evil genius at the heart of Stanley Young is Staging a Reconstruction of a Murder. Read what he told us, then book your tickets!
“Skeletons, peas, lentils, selkies, snail gods, giants, terrible kings, terrible fathers, murder, cunning old women…” Lizzie Milton’s list of what to expect from her new play Heroine is an extensive, intriguing and fantastical shopping list of fun. Read what she told us about her new play, her love of folklore and a very special fish, then book your tickets!
“Feminism has emancipated us and raised our expectations, but unfortunately in the process we have found ourselves yoked to a timetable that ignores the constraints of our biological clocks.” Read what Simona Hughes told us about why she wrote her new play exploring the fertility timebomb, About 500, then book your tickets!
How did an off-the-cuff response to a Theatre 503 show lead to The Ballerina premiering in New York before coming to his year’s VAULT Festival. Playwright Anne-Sophie Marie explains. Read her interview then book your tickets!
“It was never about money or career progression for any of us. For me, it was about getting the best actors we could and doing the best version of this play possible, for this audience, in this particular moment.” Take a look at what Jonathan Harden told us about bringing Joseph Crilly’s On McQuillan’s Hill to Finborough Theatre, then book your tickets for the final shows.
“It’s taken a massive amount of courage to even dare to do this.” Karen Bartholomew tells us why now was the right to to create her play exploring the realities of adoption reunion, Giving Up Marty. Read her fascinating interview, then book your tickets.
How did the writing of a 15-year-old become a hotly anticipated VAULT Festival production Apple? Writer and performer Cheryl Ndione explains in the interview below. Time to book your tickets!