In his award-winning play, which premiered in Boston in 2011, American playwright Stephen Karam examines the issues in a thoroughly original, brilliantly constructed and thematically compelling way. Now getting its belated European premiere at the Hampstead Theatre, Sons of the Prophet is an enthralling experience, both intellectually and emotionally.
Stephen Karam’s Sons of the Prophet at the Hampstead Theatre, first staged in 2011, makes its European debut here by starting a lot of conversations that it doesn’t manage to finish.
Exploitation can take many forms and sometimes it even begins with a creative opportunity. Sonali Bhattacharyya’s lead character in new play Chasing Hares at the Young Vic takes a while to find themselves confronting a major moral dilemma but the road to it begins with storytelling, imagination and character creation.
On LoveLondonLoveCulture, Emma Clarendon rounds up the reviews for Hamlet, the first indoor production of Shakespeare’s play at Shakespeare’s Globe, now running in the candlelit Sam Wanamaker Playhouse until 9 April 2022.
As soon as Hamlet was announced as part of the 2021-22 winter season my eyes rolled so hard I nearly saw the inside of my eye sockets. I was desperately disappointed. But then something magical happened: a Hamlet unlike any other.
Director Bijan Sheibani turns playwright in a fine two-hander about family and the crisis of masculinity in The Arrival at the Bush Theatre.
But more and more, there’s a sense in Hedda Tesman at the Minerva that what you are seeing is some damn fine acting in a rather ho-hum play.
Dance Nation at the Almeida Theatre is a pretty damn fine piece of writing by US playwright Clare Barron, and a damn fine piece of theatre directed by Bijan Sheibani.
With plenty of influences from across film, there’s still a lot to take from Clare Barron’s play, and as annual dance fever arrives in the UK once again and mingles with a year of female-led stories, Dance Nation is timely if not quite a ten from Len.
The Almeida Theatre has announced the full cast for the UK premiere of Clare Barron’s new play Dance Nation, directed by Bijan Sheibani (running from 27 August to 6 October, with a press night on 4 September).
Are morals dropped at the first sign of trouble and civilised people will ‘devour’ each other? Written by Cordelia Lynn and directed by James Macdonald, One For Sorrow examines this hypothesis up close.
One For Sorrow may run out of steam a bit in its second act, but One For Sorrow remains a play for both your brain and your pulse. Explosive.
It could be the November 2015 Paris terror attacks, except this time it’s happening in London. And it is also the powerful start of Cordelia Lynn’s new play, One for Sorrow, which has just opened at the Royal Court’s upstairs studio space.
Joe White’s play Mayfly is telling us please, hang on. So much can happen in a day. And the most surprising acts of kindness and generosity can come from the most unsuspecting of sources.
Under the tenure of Paul Miller, the Orange Tree Theatre has shown a fierce commitment to new writing, but Joe White’s Mayfly is the first debut play to be staged there since Miller’s ascendancy, and it’s easy to see why it made the cut.
Joe White’s debut, Mayfly, is a family play that although marketed as “ethereal” is actually much more rooted than that. It also expresses a deep sense of loss. And, with its title in mind, shows how some things can change in a single day.