“No-one wants to be dumped at Christmas!” Watch playwright and performer Natasha Santos talking to London Live about the personal experiences that inspired her comedy Getting Over Everest and adding festive fun to the emotional mix. Book your tickets now!
“Uplifting” and “small in stature but big in heart” – see what reviewers have said about Theatrical Niche’s pacey, new version of Chekhov’s Uncle Vanya. Take a look at what they said, then book your tickets.
Take a peek at Theatrical Niche’s new, environmentally engaged version of Chekhov’s Uncle Vanya, which comes to London next week. Explore the gallery, then book your tickets.
How does the working of a beehive related to Chekhov’s masterpiece Uncle Vanya? Venetia Twigg, who adapted the play for Theatrical Niche, gets busy, telling us about it. Read he interview then book your tickets.
Following a sell-out season at the Tristan Bates Theatre and a previous short run at The Hope Theatre, comic tale Getting Over Everest returns to the Islington venue this Christmas with a story of seasonal relationship strife. Book your tickets now!
What can we expect from Theatrical Niche’s new version of Chekhov’s Uncle Vanya? There may be some clues in these images straight from the rehearsal room. Take a look, then book your tickets.
A new physical theatre adaptation of Anton Chekhov’s Uncle Vanya, which has been touring England and Northern Ireland this autumn, arrives in London for two weeks later this month, playing in both the north and the south of the capital. Book your tickets now.
“White hot”, “astute” and “superbly intense” – critics and theatre fans have had their say on the new production of Peter Hamilton’s darkly comic tale about a far-right group? Take a look at what they’ve been saying, then book your tickets!
What does a far-right enclave or a revived Viking state look like? Take a look at these production images from Danelaw to find out, then book your tickets!
Go undercover at a “whites-only homeland”… sort of. The cast and creatives of the new adaptation of Danelaw have taken to social media to give you a peek behind the scenes at what they’ve been creating, including a snippet of a scene! Take a look at our favourite tweets and insta posts, then book your tickets!
A new, updated version of Peter Hamilton’s 2005 drama about attempts to set-up a white-supremacist state in East Anglia, Danelaw, comes to London’s Old Red Lion Theatre this autumn. Book your tickets now!
As River In The Sky opens at The Hope Theatre for three weeks, Lindsey Cross and Howard Horner, who play Ellie and Jack, talk about their experiences during rehearsals and what it means to show this new play about dealing with grief to an audience. Book your tickets now!
Judith has a reason for dating married men. Robert is new to sexting. The Man observes in disgust. Meet the characters at the heart of Andrew Bruce-Lockhart’s new satire on society and social media, Letting Go, then book your tickets.
“Do you remember his first monster…” As four star hit River in the Sky prepares to come to The Hope Theatre, check out the emotive new trailer for the tale of a couple struggling with grief. Book your tickets now.
Think you’re alone on your morning commute? Think again. As Andrew Bruce-Lockhart’s new satire Letting Go shows, anyone one could be watching and plotting. Book your tickets now!
Following a hit run at the Lion & Unicorn Theatre earlier this year, Turn Point Theatre’s acclaimed drama River In The Sky receives an extended run at The Hope Theatre this summer. Book your tickets now.
What fiendish fashion will the cast of Bride of Wankenstein be wearing when they take to the Hen & Chickens Theatre stage from 9 to 13 October 2018? We can only guess from these behind-the-scenes images of their costume fitting. To see the costumes these evil geniuses have created, you’ll have to book tickets.
A double bill of monologues from writers Dominic Grace and Lesley Ross, performed respectively by Luke Adamson and Gregory Ashton form the structure of Odd Man Out. Both plays are vastly different yet synchronise and almost meet in the middle, surprisingly well.
As this is a one-woman show, the characters are realised only through Muggleton’s scathing commentaries in the mouth of once-literary but now blowsy Deborah, a superannuated Shirley Valentine from the Sydney or Sydenham suburbs: it’s quite hard to tell where the piece is set.
All the reviews of F*cking Men at the King’s Head referred to its setting ‘in the gay community’. If it does nothing else, Memphis writer Joe diPietro’s re-working of Arthur Schnitzler’s 1897 Viennese cycle of illicit courtship La Ronde proves there’s no such thing.
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