Small Truth Theatre has commissioned a series of micro plays recorded as part of its Digital Caravan space (their original mini theatre on wheels being decommissioned because of the need for social distancing). About a month ago they put out a new set of material under the umbrella title of Our Voices consisting of four short pieces inspired by interacting with young people in and around the company’s north Kensington home.
‘This is a powerful revival of this punchy play’: COCK – West End
If some of the detail of Mike Bartlett’s Cock now feels a little dated, the skill of his writing is as fresh as ever, performed brilliantly at the Ambassadors Theatre.
‘The intimate moments are so credible it feels borderline voyeuristic sat in the audience’: COCK – West End
Watching Mike Bartlett’s play Cock today, it seems strange to think that it was actually written 13 years ago, as it covers themes that are so resonant with life in 2022.
‘This is an entertainment that is lit up by the excellence of its acting’: COCK – West End
Mike Bartlett’s Cock invites suggestive comments, but the main thing about the play is that it has proved to be a magnet for star casting.
‘Mike Bartlett’s play continues to fascinate & challenge’: COCK – West End
Theatre has always been a place to explore identity by using different character perspectives to consider points of view, social structures or inherited notions of what an individual can and should be.
NEWS: West End production of the Mike Bartlett play C O C K will star Taron Egerton, Jonathan Bailey, Jade Anouka & Phil Daniels
Taron Egerton, Jonathan Bailey, Jade Anouka and Phil Daniels will star in C O C K, the first West End production of Mike Bartlett’s Olivier Award-winning play about love and identity.
‘Valuable additions to the expanded series’: QUEERS – Old Vic (Online review)
The first new piece for Queers references a moment in history while the second takes a broader more contemporary sweep of recent events but what unites them is that they present the experiences of wider elements of the LGBTQ+ community who also happen to be black; the original series was rather under representative in this area.
‘A cornucopia of solo pieces’: Aisha (The Black Album) / Putting A Face On / Burn – Old Vic (Online review)
Three monologues from the Old Vic for International Women’s Day cover a range of issues.
NEWS: The Old Vic announces 2 new commissions to mark International Women’s Day
The Old Vic has announced two new commissions for International Women’s Day to be screened as part of the Your Old Vic programme. These One Voice monologues are written by Kiri Pritchard-McLean and Regina Taylor and will be broadcast on YouTube from 8 March 2021.
NEWS: Special installations & live theatre feature in Young Vic’s 50th birthday celebrations
Kwame Kwei-Armah, artistic director of the Young Vic, has announced the start of the Young Vic’s 50th birthday with a year-long programme of work entitled We are the New Tide, dedicated to the theatre’s milestone birthday.
NEWS: A new play from James Graham will feature in Nottingham Playhouse’s reopening season
A line-up including a new work from playwright James Graham will feature in Nottingham Playhouse Unlocked, Nottingham Playhouse’s three-week reopening season which runs from 21 October to 7 November 2020.
‘There is not a dud piece in the pack’: THE GREATEST WEALTH – Old Vic (Online review)
The series of monologues under the collective title The Greatest Wealth was first performed at The Old Vic Theatre in 2018 as part of the celebrations for the 70th anniversary of the founding of the NHS.
11 actresses I’d love to see onstage more often post-lockdown
While there might not be quite as many meaty stage roles for actresses as there are actors (is that changing?), the plethora of acting talent I’ve seen over the past 10 years made this quite tricky to narrow down.
‘Here is an authentically individual voice’: THE PHLEBOTOMIST – Hampstead Theatre ★★★★
The Phlebotomist is an exceptional concept for a ‘first play’ and Hampstead has made a real discovery in Ella Road and partnered her script with Sam Yates’ slick direction.
‘There’s no denying the play’s relevance’: THE PHLEBOTOMIST – Hampstead Theatre
Ella Road’s resonant new play about genetics, The Phlebotomist, is mostly well-written and gets an exciting staging.
‘A spirited page-turner of a tale’: THE PHLEBOTOMIST – Hampstead Theatre ★★★★
Under Sam Yates’ direction The Phlebotomist is a spirited page-turner of a tale, with some marvellous leads. Drop a couple of unnecessary scenes and it would be an electrically thrilling 100-minutes-no-interval, giving us no respite from a satisfyingly likely dystopia. Brrr.
NEWS: Performers & presenters are announced for the Olivier Awards 2019
Full details of presenters, performances and special appearances have been announced for the Olivier Awards 2019 with Mastercard, which takes place on Sunday 7 April at the Royal Albert Hall, hosted by Jason Manford.
NEWS: Actors performing Dear Elizabeth at the Gate will include Tamsin Grieg, Jade Anouka & Alex Jennings
The Gate Theatre has announced its next production, Dear Elizabeth, a two-hander by award-winning US playwright Sarah Ruhl, directed by Ellen McDougall. The piece, running at the venue from 17 January to 9 February 2019 (press nights are 22 and 23 January 2019), will be performed by a series of guest actors including Travis Alabanza, Jade Anouka, Tim Crouch, Tamsin Greig and Alex Jennings.
‘Nothing short of superb’: QUEEN MARGARET – Manchester ★★★★
Queen Margaret is an extraordinary production which combines the insight and depth of a Shakespearian history play with contemporary humour and ingenuity.
‘Reminding us of how much we stand to lose’: THE GREATEST WEALTH – The Old Vic
Paying tribute to the NHS in its 70th year, the specially-commissioned monologues of The Greatest Wealth made for a great night at the Old Vic.
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