The Old Vic has announced two new commissions for International Women’s Day to be screened as part of the Your Old Vic programme. These One Voice monologues are written by Kiri Pritchard-McLean and Regina Taylor and will be broadcast on YouTube from 8 March 2021.
NEWS: Special installations & live theatre feature in Young Vic’s 50th birthday celebrations
Kwame Kwei-Armah, artistic director of the Young Vic, has announced the start of the Young Vic’s 50th birthday with a year-long programme of work entitled We are the New Tide, dedicated to the theatre’s milestone birthday.
NEWS: A new play from James Graham will feature in Nottingham Playhouse’s reopening season
A line-up including a new work from playwright James Graham will feature in Nottingham Playhouse Unlocked, Nottingham Playhouse’s three-week reopening season which runs from 21 October to 7 November 2020.
‘There is not a dud piece in the pack’: THE GREATEST WEALTH – Old Vic (Online review)
The series of monologues under the collective title The Greatest Wealth was first performed at The Old Vic Theatre in 2018 as part of the celebrations for the 70th anniversary of the founding of the NHS.
11 actresses I’d love to see onstage more often post-lockdown
While there might not be quite as many meaty stage roles for actresses as there are actors (is that changing?), the plethora of acting talent I’ve seen over the past 10 years made this quite tricky to narrow down.
‘Here is an authentically individual voice’: THE PHLEBOTOMIST – Hampstead Theatre ★★★★
The Phlebotomist is an exceptional concept for a ‘first play’ and Hampstead has made a real discovery in Ella Road and partnered her script with Sam Yates’ slick direction.
‘There’s no denying the play’s relevance’: THE PHLEBOTOMIST – Hampstead Theatre
Ella Road’s resonant new play about genetics, The Phlebotomist, is mostly well-written and gets an exciting staging.
‘A spirited page-turner of a tale’: THE PHLEBOTOMIST – Hampstead Theatre ★★★★
Under Sam Yates’ direction The Phlebotomist is a spirited page-turner of a tale, with some marvellous leads. Drop a couple of unnecessary scenes and it would be an electrically thrilling 100-minutes-no-interval, giving us no respite from a satisfyingly likely dystopia. Brrr.
NEWS: Performers & presenters are announced for the Olivier Awards 2019
Full details of presenters, performances and special appearances have been announced for the Olivier Awards 2019 with Mastercard, which takes place on Sunday 7 April at the Royal Albert Hall, hosted by Jason Manford.
NEWS: Actors performing Dear Elizabeth at the Gate will include Tamsin Grieg, Jade Anouka & Alex Jennings
The Gate Theatre has announced its next production, Dear Elizabeth, a two-hander by award-winning US playwright Sarah Ruhl, directed by Ellen McDougall. The piece, running at the venue from 17 January to 9 February 2019 (press nights are 22 and 23 January 2019), will be performed by a series of guest actors including Travis Alabanza, Jade Anouka, Tim Crouch, Tamsin Greig and Alex Jennings.
‘Nothing short of superb’: QUEEN MARGARET – Manchester ★★★★
Queen Margaret is an extraordinary production which combines the insight and depth of a Shakespearian history play with contemporary humour and ingenuity.
‘Reminding us of how much we stand to lose’: THE GREATEST WEALTH – The Old Vic
Paying tribute to the NHS in its 70th year, the specially-commissioned monologues of The Greatest Wealth made for a great night at the Old Vic.
NEWS: Casting for Old Vic’s series of monologues celebrating the NHS includes Art Malik, Meera Syal & Jade Anouka
The Old Vic has announced casting for The Greatest Wealth, curated by Lolita Chakrabarti and directed by Adrian Lester to celebrate 70 years of the National Health Service.
NEWS: Casting is announced for Hampstead Theatre’s Describe the Night & The Phlebotomist
Casting has been announced for Hampstead Theatre productions of Describe the Night on the Main Stage and The Phlebotomist Downstairs, including actors David Birrell, Ben Caplan and Jade Anouka.
COVER MY TRACKS – Old Vic
Former Noah and the Whale front-man and songwriter Charlie Fink is no stranger to the Old Vic, having composed the rather lovely score for The Lorax, but his return takes a rather unconventional form in the shape of Cover My Tracks.
Year in Review: Ian Foster’s Best Supporting Actress in a Play & in a Musical
In addition to lists of top productions, Mates contributor Ian Foster reviews his reviews from the past year to award his personal prizes for the best performances for Best Actor and Best Actress, Best Supporting Actor and Best Supporting Actress in both plays and musicals…
SHAKESPEARE TRILOGY – Donmar at King’s Cross
What you do get from the trilogy day though is a huge sense of occasion, and the undeniable truth of the significance of what has been achieved here. Unabashedly all-female productions of Shakespeare, shaking up a (male dominated) establishment that still can’t quite let these things happen without a range of think-pieces.
THE SHAKESPEARE TRILOGY – Donmar at King’s Cross
I wanted to see Harriet Walter’s Iago, Leontes, Richard III, Macbeth, Lear – possibly in a mixed cast. Individuality transcends gender.
THE SHAKESPEARE TRILOGY – Donmar at King’s Cross
I wanted to see Harriet Walter’s Iago, Leontes, Richard III, Macbeth, Lear – possibly in a mixed cast. Individuality transcends gender.
THE TEMPEST – Donmar at King’s Cross
A slightly odd one this, the Donmar’s all-female adaptation of The Tempest opened at the King’s Cross Theatre in late September, but from what I can tell won’t be officially reviewed until 22nd November.
- Page 1 of 2
- 1
- 2