The Phlebotomist is an exceptional concept for a ‘first play’ and Hampstead has made a real discovery in Ella Road and partnered her script with Sam Yates’ slick direction.
Ella Road’s resonant new play about genetics, The Phlebotomist, is mostly well-written and gets an exciting staging.
Under Sam Yates’ direction The Phlebotomist is a spirited page-turner of a tale, with some marvellous leads. Drop a couple of unnecessary scenes and it would be an electrically thrilling 100-minutes-no-interval, giving us no respite from a satisfyingly likely dystopia. Brrr.
Full details of presenters, performances and special appearances have been announced for the Olivier Awards 2019 with Mastercard, which takes place on Sunday 7 April at the Royal Albert Hall, hosted by Jason Manford.
The Gate Theatre has announced its next production, Dear Elizabeth, a two-hander by award-winning US playwright Sarah Ruhl, directed by Ellen McDougall. The piece, running at the venue from 17 January to 9 February 2019 (press nights are 22 and 23 January 2019), will be performed by a series of guest actors including Travis Alabanza, Jade Anouka, Tim Crouch, Tamsin Greig and Alex Jennings.
Queen Margaret is an extraordinary production which combines the insight and depth of a Shakespearian history play with contemporary humour and ingenuity.
Paying tribute to the NHS in its 70th year, the specially-commissioned monologues of The Greatest Wealth made for a great night at the Old Vic.
The Old Vic has announced casting for The Greatest Wealth, curated by Lolita Chakrabarti and directed by Adrian Lester to celebrate 70 years of the National Health Service.
Casting has been announced for Hampstead Theatre productions of Describe the Night on the Main Stage and The Phlebotomist Downstairs, including actors David Birrell, Ben Caplan and Jade Anouka.
Former Noah and the Whale front-man and songwriter Charlie Fink is no stranger to the Old Vic, having composed the rather lovely score for The Lorax, but his return takes a rather unconventional form in the shape of Cover My Tracks.
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