Jordan Tannahill’s queering of Renaissance art in Botticelli In The Fire is riotously vulgar and completely unapologetic mash up.
Whether you know the story or not, The Girl On the Train will keep you on the edge of your seat right up until the end.
Fracking is something of a contentious subject in West Sussex, so where better to stage Alistair Beaton’s new comedy Fracked! (or: Please don’t use the word). Littered with references to very recent events (including Boris Johnson and Southern trains) you can’t help but feel the playwright is hidden in the theatre somewhere