Casting has been announced for the return of The Phantom of The Opera to its West End home, Her Majesty’s Theatre, on 27 July 2021. Lucy St Louis will play Christine Daaé and Rhys Whitfield will play Raoul. They join the previously announced double Olivier Award nominee Killian Donnelly as The Phantom.
Great design work from Morgan Large and a strong lead performance from Kaisa Hammarlund make Violet an intriguing proposition at the Charing Cross Theatre.
Kaisa Hammarlund will play the title role in Violet, the multi-award-winning musical with music by Jeanine Tesori and book and lyrics by Brian Crawley, which receives its UK premiere at London’s Charing Cross Theatre for a 12-week season from 14 January to 6 April 2019 (press night is 21 January) in an international co-production that will see it transfer to Tokyo.
Julian Fellowes’ book undulates gently rather than creating any particularly dramatic waves – Rat and Mole’s growing friendship is quietly but effectively done, Toad is characterised as a Boris Johnson-like would-be-lovable-rogue.
A few thoughts on musical productions I’ve seen recently, with my on-the-night tweet thoughts further below. Promises, Promises Less than a week left to see this rarely seen Broadway musical – the first London production, in fact, since its 1969 West End premiere. I have fond memories of the Oscar-winning 1960 film The Apartment, which […]
The ways in which the titles of shows are worked into the script are a source of endless amusement and new musical Death Takes A Holiday is no exception, pointing up as it does the ridiculousness of the show’s conceit.
Producers have announced that there has been a cast change for the upcoming European premiere of the musical Death Takes A Holiday, which runs at London’s Charing Cross Theatre from 16 January to 4 March 2017, with a press night, as planned, on 23 January.
Maxwell Caulfield, Zoë Doano and Chris Peluso are to head the cast of Death Takes A Holiday, the third Charing Cross Theatre musical directed by Artistic Director Thom Southerland following the critically acclaimed Titanic and Ragtime.
The Wind in the Willows’ charms are gentle, befitting any iteration of the beloved children’s novel by Kenneth Grahame. Julian Fellowes’ adaptation is faithful to that story and though the scale of Rachel Kavanaugh’s production is suitably large, it is also refreshingly simple.
Can I start with a confession? I never really “got” Titanic… Sure, Maury Yeston’s music and Peter Stone’s book had the requisite bombast, but I’d never seen much evidence of the heart. Leave it to Thom Southerland and Danielle Tarento to prove me wrong again, as they did with Grand Hotel last year… Maybe next time I’ll have learned my lesson!
Unlike its ill-fated namesake, Thom Southerland’s production of Titanic has now made a triumphant trans-Atlantic return crossing, tying up at London’s Charing Cross Theatre for a ten-week season. Acclaimed at the Southwark Playhouse three years ago and later in Toronto, this riverside reprise marks Southerland’s debut as Artistic Director at Charing Cross, with his long-time muse Danielle Tarento also on board as co-producer.
The Christmas decorations may be taken down – but at Leicester’s Curve the seasonal family show has another two weeks to run and judging by Friday’s packed, cheering audience it is continuing to bring much festive joy to the city.