The Stage has unveiled its annual The Stage 100 list. The list has been re-imagined this year to celebrate individuals who have gone above and beyond in helping theatre survive the biggest crisis the industry has ever faced.
Multi award-winning playwright James Graham is collaborating with Alan Menken and lyricist Glenn Slater to create a new musical based on George Orwell’s iconic novel Animal Farm.
One of the highest profile events in Nottingham Playhouse’s Unlocked Festival was Bubble, a hybrid production, performed in-house and live streamed over the weekend to a potential international audience – a new James Graham comedy about life in lockdown.
A line-up including a new work from playwright James Graham will feature in Nottingham Playhouse Unlocked, Nottingham Playhouse’s three-week reopening season which runs from 21 October to 7 November 2020.
I accidentally wrote a viral tweet. It came out of a moment of possibly ill-thought frustration. Out of feeling brushed aside, dismissed one too many times. But wow did that tweet resonate.
Life as it is currently lived in 14 playlets: Most of the plays are about ten minutes in duration and punch well above their weight featuring writing by the likes of James Graham and April de Angelis.
When it was first performed in 2012 James Graham’s This House was an affectionate satire, using its 1970s setting to examine the still young Conservative-Liberal Democrat coalition government formed in 2010.
The chaos of national politics in the mid-1970s seemed light years away in 2014, but how arrogant that assumption seems now.
The plotline of James Graham play covers several years during a period when majorities were slim and politics was a brutal business.
The theatre industry’s fightback was raised to a new level as, after more than two months of enforced venue closures, leaders coordinated efforts to pressure the government for further support, and DCMS appointed a new commissioner for Cultural Recovery.
The National Theatre has announced its third tranche of archive shows that will be streamed every Thursday at 7pm BST via its YouTube channel as part of lockdown initiative National Theatre at Home.
Following on from the instant success of National Theatre At Home streaming event, it’s got me thinking about all the other wonderful NT Live screenings that I’d love to come to the small screen as part of this series. I have narrowed it down to my top 10.
Award-winning theatre company Headlong, in association with the BAFTA-winning Century Films, have announced Unprecedented: Real Time Theatre From a State of Isolation, a major new digital project, bringing together celebrated playwrights to create a series of short digital plays, as a response to the current global crisis.
Elton John, Sam Mendes, Christopher Hampton, Natasha Gordon, James Graham, Giles Terera and Stephen Mear are among the list of theatre and showbusiness luminaries who feature in this year’s Queen’s Birthday Honours List.
Simon Woods’ debut play Hansard, about the parliamentary ruling class is timely, and amusingly preceptive, but ultimately unsatisfying.
Playwright James Graham may have had two plays in the West End at the same time but can he handle ten questions from me?!
Original History Boy Samuel Barnett takes on the 10 Questions for 10 Years challenge.
Sam Mendes’ Olivier Award-winning production of Jez Butterworth’s The Ferryman received equal top billing at this week’s Tony Awards 2019 nominations announcement alongside the hit Broadway production of To Kill a Mockingbird. The productions both have nine nods including ones for Ferryman actors Paddy Considine (Best Performance by an Actor in a Leading Role in a Play), Fionnula Flanagan and Laura Donnelly. The …
Mark Shenton offers the week’s news, reviews, quotes and tweets in theatre from both sides of the Atlantic, including an interview with Sonia Friedman, reviews of Shakespeare in three different abbreviated versions, and a YouTube star appearing on Broadway.
Mike Leigh’s genius was to offer Abigail’s Party to audiences who roared with laughter without recognising themselves on the stage. Julie Burchill and Jane Robins may have pulled off the same trick with People Like Us.