View Post

NEWS: More tickets released for London’s Harry Potter and the Cursed Child as the show’s enters its third year in the West End

In London theatre, Native, News, Plays, Press Releases, Quotes, Sticky by Press ReleasesLeave a Comment

On the anniversary of the world premiere and the start of the third year for the London Production of Harry Potter and the Cursed Child at the Palace Theatre, the producers have announced that further tickets will be released for sale on 18 September 2018 for performances from 10 April to 28 July 2019. Producers Sonia Friedman and Colin Callender said: …

View Post

KING JOHN – Rose Theatre, Kingston

In London theatre, Opinion, Plays, Regional theatre, Reviews by Libby PurvesLeave a Comment

Of Shakespeare’s plays this is one of the least done and loved: there’s disputed authorship of some sections, parts of the plot missing and replaced from another text. Sir Trevor Nunn takes it on as the penultimate achievement in his intention to direct all 37 plays: I was agog, since I missed the Globe’s version (part of the Magna Carta anniversary, though oddly the play ignores that milestone in the life of “England’s worst king”).

View Post

DVD REVIEW: The Merchant of Venice, RSC

In Opinion, Plays, Regional theatre, Video by Matt MerrittLeave a Comment

This year may be the battle of the Cymbelines, with the Royal Shakespeare Company presenting their take while the Globe present two versions, one currently running in the Sam Wanamaker Playhouse and Imogen (a “retitled and reclaimed” production) part of Emma Rice’s inaugural season. Last year the two establishments presented alternate takes on The Merchant of Venice with Polly Findlay’s RSC production the first to arrive on DVD.establishments presented alternate takes on The Merchant of Venice with Polly Findlay’s RSC production the first to arrive on DVD.

THE MERCHANT OF VENICE – Royal Shakespeare Theatre, Stratford upon Avon

In Plays, Regional theatre, Reviews by Libby PurvesLeave a Comment

What an odd, stark, angry, intelligent Merchant this is! Wholly unlike the last RSC production, Rupert Goold’s spectacular Merchant-of-Vegas gameshow. Polly Findlay sets it modern dress, on a bare stage whose floor and backdrop are gold bars, mirroring the auditorium and making us visible witnesses to the case of Antonio, the shipowning speculator, and his deal with Shylock the Jew. A gilded pendulum swings constantly at stage level; the three caskets descend too, 65 feet from the grid on wires, bald as geometry diagrams – cube, cone, cylinder.