A tale of two halves, Moulin Rouge the Musical is both a spectacular spectacular and a chaotic conundrum. Based on the 2001 film of the same name, it tells the story of fated lovers Christian and Satine, who despite the hardships which surround them, just want to be free to love one another. This musical adaptation takes elements from the film but also puts an extreme jukebox spin on the whole thing.
The principal cast for the return of Les Misérables – The Staged Concert at London’s Sondheim Theatre on 20 May 2021 will be Jon Robyns as Jean Valjean, Bradley Jaden as Javert, Lucie Jones as Fantine, Gerard Carey as Thénardier, Josefina Gabrielle as Madame Thénardier, Shan Ako as Éponine, Harry Apps as Marius, Jamie Muscato as Enjolras and Charlie Burn as Cosette, with Dean Chisnall playing the role of Jean Valjean at certain performances.
BKLYN the Musical is assured, confident and dynamic, while staying true to its source material. I thoroughly enjoyed its innovation, cleverness and attention to detail.
Mark Schoenfeld and Barri McPherson’s modern fairytale musical BKLYN the musical is evocatively brought to life in Dean Johnson’s stylish production.
Nikolai Foster and co. have wrung West Side Story for every last drop of emotion, intellect and topicality. It has been given the full blooded revival it merits and I would love to see this production have further life beyond this initial run.
Electrifying dancing, beautiful singing and wonderful acting, if you want to treat yourself to something really special this Christmas, get a ticket for West Side Story at Curve Leicester.
No doubt about it, Nikolai Foster’s production of West Side Story for Curve Leicester is damn close to musical theatre perfection.
Mind the Blog rounds up her favourite male performances in the theatre during 2018.
Black musical comedy Heathers The Musical has graduated with honours to the West End, opening at the Theatre Royal Haymarket to whoops of laughter and screams of delight from enthusiastic audiences.
Following a sold-out run at The Other Palace earlier this year, there’s been a lot of hype surrounding Heathers the Musical, with a strong fandom out in force and social media buzzing with (mostly) glowing comments.
Every so often a show comes around which receives an exceptional amount of hype and has the West End buzzing. Heathers is currently that show and the good news is that it truly lives up to it.
The hype for Heathers The Musical is real, awards need to be nominated for and won. High School will never be the same again, it’s just ‘So Very’.
You thought there were enough school-themed musicals? What with Bring it On, School of Rock and our own dear cross-dressing Jamie…? Make room, here comes Heathers.
The creative team behind Heathers the Musical has announced a brand new song has been written into the show ahead of its West End debut at the Theatre Royal Haymarket (3 September to 24 November 2018), along with multiple re-workings to the script.
Joining the previously announced Carrie Hope Fletcher, playing Veronica Sawyer in the Uk premiere of Heathers – The Musical at The Other Palace (9 June to 4 August 2018) are Jodie Steele (Chandler), Sophie Isaacs (McNamara) and T’Shan Williams (Duke) – The Heathers, with Jamie Muscato playing the mysterious teen rebel Jason Dean (JD).
Frasier star Kelsey Grammer will make his London stage debut this November, taking on the lead role of ‘Edward Bloom’ in a new production of John August and Andrew Lippa’s Broadway hit BIG FISH THE MUSICAL.
It’s no secret that I’m a big Ivo van Hove fan, I’ve been to New York and Amsterdam several times to see his work as regular readers will know, so booking for his latest show to hit London – Lazarus – was a no-brainer.
Ahead of its hugely anticipated European premiere in a brand new 900-seater venue at King’s Cross Theatre, London, full casting for David Bowie and Enda Walsh’s Lazarus is announced today.
This week the London theatre bloggers discuss Simon Stephens new version of Brecht’s The Threepenny Opera at the National, Mike Poulton’s take on Rattigan, Kenny Morgan, at the Arcola, and John Osborne revival A Subject of Scandal and Concern at the Finborough Theatre.
Jamie Muscato gives Holyoake – intense, starveling, stubborn – his reported stammer, and in a fine performance holds it brilliantly just this side of intrusiveness, indeed using it to intensify the man’s fanatical, near- hysterical need to speak his truth at all costs. And there are costs.
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