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NEWS: Further casting for Pinter at the Pinter includes Keith Allen, Rupert Graves, Gary Kemp, John Simm & Maggie Steed

In London theatre, Native, News, Plays, Press Releases, Quotes by Press ReleasesLeave a Comment

Keith Allen, Phil Davis, Paapa Essiedu, Rupert Graves, Gary Kemp, John Simm and Maggie Steed have joined the extraordinary company of Pinter at the Pinter, the unprecedented season featuring all 20 of Harold Pinter’s one-act plays, running from September 2018 to February 2019, to mark the tenth anniversary of the Nobel Prize winner’s death.

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‘An emotional & beautifully told family story about grief & guilt’: INSTRUCTIONS FOR CORRECT ASSEMBLY – Royal Court Theatre

In London theatre, Opinion, Plays, Reviews by Maryam PhilpottLeave a Comment

In what has been a slightly over-earnest Winter season for the Royal Court, Instructions for Correct Assembly is their best show since Anatomy of a Suicide last summer, and both use a family structure as the basis for explaining the long-term effects of grief and loss.

Five things you may not know about Glenda Jackson… now King Lear

In Features, London theatre, Opinion, Plays, Reviews by Johnny FoxLeave a Comment

I suppose what I’m driving at is that having swerved from the stage into a political career, my concern was how easily could she take up acting again? The astonishing thing about King Lear is that the answer is seamlessly: with power, and clarity, and complete command of the stage. Given how much acting has changed since 1980, this is astonishing and she deserves to be seen.

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Five things you may not know about Glenda Jackson… now King Lear

In Features, London theatre, Opinion, Plays, Reviews by Johnny FoxLeave a Comment

I suppose what I’m driving at is that having swerved from the stage into a political career, my concern was how easily could she take up acting again? The astonishing thing about King Lear is that the answer is seamlessly: with power, and clarity, and complete command of the stage. Given how much acting has changed since 1980, this is astonishing and she deserves to be seen.

Five things you may not know about Glenda Jackson… now King Lear

In Features, London theatre, Opinion, Plays, Reviews by Johnny FoxLeave a Comment

I suppose what I’m driving at is that having swerved from the stage into a political career, my concern was how easily could she take up acting again? The astonishing thing about King Lear is that the answer is seamlessly: with power, and clarity, and complete command of the stage. Given how much acting has changed since 1980, this is astonishing and she deserves to be seen.

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REVIEW ROUND-UP: Glenda Jackson as King Lear at the Old Vic

In Features, London theatre, Native, Opinion, Plays, Reviews, Sticky, Ticket recommendations by Emma ClarendonLeave a Comment

Glenda makes a stage return playing Shakespeare’s King Lear – but what have critics been making of Deborah Warner’s  production?  The Guardian: **** “Jackson’s performance catches perfectly the zigzag patterns of Lear’s mix of insight and insanity.” The Telegraph: **** […]