Hogarth’s Progress consists of two plays by Nick Dear: The Art of Success, 30 years old, and a new companion piece, The Taste of the Town, set 30 years later. Both tell the story of William Hogarth, artist and satirist, his wife Jane and a fluctuating cast of friends and enemies.
‘Still works as a bright satire of the art world’: HOGARTH’S PROGRESS – Rose Theatre, Kingston
Hogarth’s Progress is an ambitious production that, although not entirely flawless, alternates moments of great fun with thought-provoking, timeless questions on the arts, life and politics, and effortlessly captivates the audience.
‘Feels misguided’: HOGARTH’s PROGRESS – Rose Theatre, Kingston
The oft-misquoted George Santayana once said “those who cannot remember the past are condemned to repeat it” and taking a glance at Nick Dear’s Hogarth’s Progress, you can’t help but feel it is most apposite for the folks at the Rose Theatre Kingston.
NEWS: Keith Allen & Bryan Dick share title role in Hogarth’s Progress double bill, Full casting
Keith Allen and Bryan Dick will star as William Hogarth, older and younger, in the double bill of Nick Dear’s Hogarth’s Progress at Rose Theatre, Kingston. Full casting is now announced.
NEWS: Keith Allen & Bryan Dick will lead the cast of Rose Theatre’s double-bill Hogarth’s Progress
Rose Theatre Kingston has announced the full cast for Nick Dear’s double-bill Hogarth’s Progress. Anthony Banks directs Bryan Dick as the younger William Hogarth in the first major UK revival of Dear’s The Art of Success, and Keith Allen as the older William Hogarth in the world première of The Taste of the Town.
‘One extraordinary production’: BUGGY BABY – The Yard Theatre
It is a huge credit to Josh Azouz that he has managed to wield and weave such fundamental truths about contemporary society into a play so damn surreal. Credit to him. And credit to the actors and all the creatives. This is one hell of a show.
‘A fertile way forward for British new writing’: BUGGY BABY – The Yard Theatre
Although the temptation might be to dismiss Buggy Baby as an oddity, that would be a mistake. Both the originality of the writing, its rapidity, its mix of the mundane and the surreal, and the explosive excitement of the staging suggest a fertile way forward for British new writing.