Come From Away tells the incredible true story of how the residents of Gander, Newfoundland welcomed the 7,000 passengers of planes from around the world, due to the American air space being closed after 9/11.
‘Leaves no stone unturned in its determination to be heart-warming’: COME FROM AWAY – West End
The highly anticipated musical Come From Away leaves me dry-eyed at the Phoenix Theatre despite a very strong cast.
‘The emotional impact is off the scale’: COME FROM AWAY – West End
Come From Away is a funny, moving and uplifting new musical by Irene Sankoff and David Hein. Having won Best Musical awards across North America, the show now arrives in London where, if there’s any justice, it’ll prove to be just as successful.
‘Gripping, emotional & heart-warming’: COME FROM AWAY – Dublin & London ★★★★
Come From Away, at the Abbey Theatre, Dublin before transferring to the West End is a story of ordinary people doing extraordinary things in a time of need is truly inspirational and this intense, gripping, emotional and heart-warming production perfectly captures the generosity of the human spirit.
NEWS: Rachel Tucker is cast in West End production of Come From Away as full details announced
Casting has been announced for Come From Away, the Tony Award-winning musical which will arrive in London for its UK premiere at the Phoenix Theatre next year with performances from 30 January 2019.
WIND IN THE WILLOWS – West End
Wind In the Willows is one of my favourite childhood stories and a refreshingly new musical take on the story hasn’t gone amiss. so thanks to Julian Fellowes, George Stiles and Anthony Drewe there’s a spanking brand new musical at the London Palladium and it’s simply sensational.
THE WIND IN THE WILLOWS – West End
Julian Fellowes’ book undulates gently rather than creating any particularly dramatic waves – Rat and Mole’s growing friendship is quietly but effectively done, Toad is characterised as a Boris Johnson-like would-be-lovable-rogue.
THE WIND IN THE WILLOWS – Touring
The Wind in the Willows’ charms are gentle, befitting any iteration of the beloved children’s novel by Kenneth Grahame. Julian Fellowes’ adaptation is faithful to that story and though the scale of Rachel Kavanaugh’s production is suitably large, it is also refreshingly simple.
OLIVER! – Curve, Leicester
The Christmas decorations may be taken down – but at Leicester’s Curve the seasonal family show has another two weeks to run and judging by Friday’s packed, cheering audience it is continuing to bring much festive joy to the city.