Empathetic revival of Zinnie Harris’s 2000 play about a lost world and small island longings
The post Further Than the Furthest Thing, Young Vic appeared first on Aleks Sierz.
Empathetic revival of Zinnie Harris’s 2000 play about a lost world and small island longings
The post Further Than the Furthest Thing, Young Vic appeared first on Aleks Sierz.
Malevolent forces shaping small communities is a strong premise for all kinds of drama, from the arrival of outsiders that tend to be the focus of horror to the power shifts of Pinter plays that upset the status quo with new authorities forming that overshadow the existing order. Zinnie Harris’ 2000 play Further Than the Furthest Thing combines these ideas with broader notions of industrialisation and the religious management of a community relatively untroubled by the outside world until one if its returning sons brings change.
Young Vic artistic director Kwame Kwei-Armah has announced a new season of work, Welcome Back and Welcome Home, welcoming theatre-makers and audiences back through the doors for the first time since the venues’s 50th Birthday celebrations in October 2020.
Ghost Girl // Gwei Mui 鬼妹 is a story that’s very personal to director/creator Jennifer Tang. Find out why in their interview below, and discover why the show’s cast is so excited to be part of the play that runs at Camden People’s Theatre until 9 February.
What does it really mean to be British and Chinese in contemporary England? That’s the question posed by Ghost Girl // Gwei Mui 鬼妹, Jennifer Tang’s devised theatre piece which runs at Camden People’s Theatre from 22 January to 9 February.
What does it really mean to be British and Chinese in contemporary England? That’s the question posed by Ghost Girl // Gwei Mui 鬼妹, Jennifer Tang’s devised theatre piece which runs at Camden People’s Theatre from 22 January to 9 February.