Amy Adams, already an acclaimed and multi Oscar-nominated film actor with some notable stage experience in the US, makes her West End debut in Jeremy Herrin’s new version of The Glass Menagerie.
Amy Adams’ Amanda is a matriarch full of bustle and bristle in Jeremy Herrin’s production of The Glass Menagerie at the Duke of York’s Theatre. She is an irritating spark to her despondent and bored son and pushes her shy, nervous daughter Laura further into her own world. And, she is such a spark that you feel Amanda’s absence when she is on stage.
On LoveLondonLoveCulture, Emma Clarendon rounds up the reviews for the world premiere James Graham’s latest political drama, Best of Enemies, now running at the Young Vic Theatre until 22 January 2022.
James Graham’s latest history play has an eye on the present but a messy staging.
James Graham’s mission might seem unfashionable: trawling 20th-century history and public culture, looking not for villains and heroes but for the nuances of human behaviour.
James Graham’s new play Best of Enemies takes us back to the 1960s, demonstrating that the roots of our division partially lay in the creation of televised intellectual debating.
This is a labour of love. Hilary Mantel has adapted The Mirror and the Light, the third novel of her Tudor trilogy, in collaboration with actor Ben Miles.
It was rising eight years ago that the first two parts of Hilary Mantel’s majestic Wolf Hall trilogy came to the stage, adapted by Mike Poulton and directed by Jeremy Herrin.
Hilary Mantel and Ben Miles have combined a sizeable semi-fictional tome and the familiar historical story of Henry VIII, distilling them into a properly theatrical show with something new to say about this era and the humble man who, for 10 years, commanded a king.
One of the pleasures — but also the risks — of being a theatre critic is that you come first to a new production, ready to form your own opinions on what you’ve seen, before you’ve already encountered or digested the opinions of others.
Six-time Academy Award nominated actress Amy Adams will make her West End debut in a new production of Tennessee Williams’ celebrated memory play The Glass Menagerie, the debut production from Second Half Productions, a new entertainment company founded by Jeremy Herrin, Alan Stacey and Rob O’Rahilly.
Producers Playful Productions and the Royal Shakespeare Company have announced initial casting for The Mirror and the Light in the West End.
We may not have been able to see our fellow digital audience members but we knew they were there, making The Dumb Waiter feel like a communal event.
Where Jeremy Herrin directs and Bunny Christie designs, you expect something pretty damn theatrical before After Life ends, and this we get.
Love London Love Culture rounds up the reviews for Jack Thorne’s adaptation of Hirokazu Kore-eda’s film of the same name now playing at the National Theatre.
The Royal Shakespeare Company has announced that The Comedy of Errors will transfer to the Barbican for a strictly limited London run following a season in Stratford-upon-Avon and a short national tour.
Producers Playful Productions and the Royal Shakespeare Company have announced that the third and final novel in the Wolf Hall trilogy, The Mirror and the Light has been adapted for the West End stage. The world premiere will run at London’s Gielgud Theatre from 23 September for a strictly limited season until 28 November, with an opening night on 6 October.
The Old Vic has announced its Back Together season, the seventh from artistic director Matthew Warchus, which will run from July 2021 to July 2022 and combines both streamed and live shows.
Young Vic artistic director Kwame Kwei-Armah has announced a new season of work, Welcome Back and Welcome Home, welcoming theatre-makers and audiences back through the doors for the first time since the venues’s 50th Birthday celebrations in October 2020.
Written skilfully by Katherine Parkinson, Sitting thankfully mixes up the monologue format a little to provoke interest and show that there’s life in the formula yet.