Jeremy Sams’ translation of Matthieu Delaporte and Alexandre de la Patellière’s 2010 play Le Prénom, What’s in a Name? proves to be a class act from start to end.
Jeremy Sams and his creative team have delivered theatrical magic in Oklahoma! at Chichester Festival Theatre.
If the overall effect of Oklahoma! at Chichester Festival Theatre is more of a puzzle-play than a lollipop romp, so much the better.
This year Chichester Festival Theatre is taking on Oklahoma! with their usual mix of respect for the piece and urge to find a new viewpoint on it.
I can’t believe that Amour has posted early closing notices at Charing Cross Theatre. This beautiful production now must finish on Saturday 8 June 2019. So please watch and share this post-show Q&A video – and then book to see the show – ASAP!
Amour, a whimsical tale of a Parisian clerk who finds himself temporarily gifted with a superhuman ability to walk through walls, lends itself perfectly to London’s Off West End theatre scene.
Michel Legrand’s quirky but charming musical Amour makes a vivid impression in this UK professional premiere.
Jeremy Sams spoke to LLLC’s Emma Clarendon about working with Michel Legrand and bringing Amour to the stage.
As part of her ongoing post-show Q&A series, on Monday 13 May 2019, Mates co-founder Terri Paddock talks to the director and cast of the late Michel Legrand’s five-time Tony Award-nominated Amour. Got any questions?
Alexis Michalik’s play (translated by Jeremy Sams) detailing the fictionalised writing process behind Cyrano, impishly titled Edmond de Bergerac, receives its English premiere in Roxana Silbert’s light-hearted and giddily enjoyable production.
Opera North’s new production of Mozart’s The Magic Flute takes the composer’s final opera and brings out the fantastical and often comedic elements of what can at times be a dark story – several characters contemplate suicide on stage, but this version avoids ever feeling bogged down in these darker moments.
Chichester Festival Theatre’s Festival 2019 has been announced by artistic director Daniel Evans. It includes John Simm & Dervla Kirwan in Macbeth, Hugh Bonneville in Shadowlands & Tim Firth’s first solo musical starring James Nesbitt.
The UK professional premiere of five-time Tony-nominated musical Amour, with music by multi-award-winning composer Michel Legrand, will be presented by Danielle Tarento at London’s Charing Cross Theatre from 2 May to 20 July 2019 (press night is 8 May).
Terri Paddock hosts a post-show Q&A at The Orchestra at the Omnibus Theatre with Jeremy Sams, cast members Toph Enany & Stefania Licari, director Kristine Landon-Smith & composer Felix Cross.
Nigel Harman and Sarah Hadland star in the UK première of What’s In A Name?, which runs at Birmingham Repertory Theatre from 27 January to 11 February 2017.
A Damsel in Distress is a new(ish) musical confection that feels like it’s been around for years. Based on the P.G. Wodehouse story and drawing upon the Gershwin brothers’ songs that were composed for the similarly inspired 1937 movie, Jeremy Sams and Robert Hudson breathe life into a collection of classic concepts.
SUNNY SUMMER KICKS AND SOARING SONGS Here’s a joyful thing: a confection of butterscotch and sunshine, a tale of turrets and twosomes and tap-breaks, friendship and chivalry and secret passages and great legs, with glorious, soaring Gershwin songs to punt … Continue reading →
In recent years Chichester Festival Theatre has had a knack of creating hit after hit from fresh takes on classic musicals. I suppose it was inevitable then that they would eventually come to launching a brand new show and with A Damsel In Distress they have. Well, kind of. This is a new show made from well-loved old parts that have been lovingly tidied and stitched together. Theatrical upcycling if you will…
Sixty or so years ago, Jean Anouilh’s works were popular enough for the BBC to broadcast a recording of him reading one of his plays in the original French. These days he’s hardly a household name, but he still maintains enough popularity for his work to be
readily revisited. Chichester Festival Theatre have regularly produced productions of his plays and this translation, by Jeremy Sams who also directs, was originally put together for a production at the Almeida Theatre way back in 1990.