Andrew Scott’s interpretation of the Prince of Denmark is stylish, relevant and completely contemporary.
Andrew Scott’s take on Hamlet, in Robert Icke’s Almeida production that has just transferred to the West End, is a testament to the versatility of Shakespeare’s prose. With Benedict Cumberbatch, TV’s Sherlock, having been London’s last celebrity Hamlet, Scott’s (who played Sherlock’s nemesis Moriarty) take on the role offers us a striking glimpse into the breadth of interpretation and intrigue that is offered by the Prince of Denmark.
Jessica Brown Findlay (Sonya), Vanessa Kirby (Elena), Richard Lumsden (Telegin), Hilton McRae (Serebryakov), Tobias Menzies (Astrov) and Ann Queensberry (Nanny) join the previously announced Paul Rhys (Vanya) in Chekhov’s Uncle Vanya, a new version created by and directed by Associate Director, Robert Icke, at the Almeida Theatre.
This is a review I’ve been pondering for a week or more now: where to start was my biggest issue. The epic proportions of this show are hard to comprehend, namely because, when you think about it, this is a trilogy of Greek tragedies that were written over 2000 years ago circa 458 BC. So you may be forgiven for thinking what relevance this theatrical event of the year has in today’s society?
The Almeida Theatre’s critically acclaimed, sold out production of Oresteia, by Aeschylus, re-imagined for the modern stage by Almeida Associate Director Robert Icke (The Fever, Mr Burns, 1984) will transfer to the Trafalgar Studios in the West End from 22 August. Press night 7 September 2015. Robert Icke’s Oresteia was acclaimed during its Almeida run as one of the theatre …
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