Julia Pascal is a resourceful theatre-maker who is unafraid of controversy. Her interest in the relationship between the personal and the political, and sympathy with both the victims of the Nazis and those of Israeli expansionism, means that her work is often provocative, and always unsentimental. She has also been active in bringing some less known episodes of Jewish history to public attention. In her latest play, 12:37, she explores the relationship between a couple of Irish Jews and the fight to create a Jewish state in 1940s Palestine, where the main colonial power was Britain.
‘Able to jump from silliness to seriousness in mid-sentence’: LAST EASTER – Orange Tree Theatre
By the end of Orange Tree Theatre’s production of Bryony Lavery’s Last Easter the certainty that friendship and love are life’s true miracles is quietly and effectively realised.