This production of Carousel may not appeal to all Rodgers and Hammerstein purists; but for those of us who know and love this show unreservedly, I was both thrilled and delighted to see it both through and with completely fresh eyes and ears.
‘Holds a mirror up to today’s Covid-strained circumstances’: CAROUSEL – Regent’s Park Open Air Theatre
Timothy Sheader’s revival of Carousel at the Open Air Theatre Regent’s Park has made me reconsider the musical, and the ways difficult subjects can be repositioned, but it hasn’t made me love it any better.
‘Owes more to D.H. Lawrence & Patrick Hamilton than it does to Hollywood’: CAROUSEL – Regent’s Park Open Air Theatre
Taking a hard line on a troublesome musical is smart work and Sheader has given considerable thought to reconfiguring Carousel for twenty-first century audiences.
In a mini-season of nostalgic musicals looking back to mid-twentieth century song and dance styles, Carousel probably least deserves its cosy reputation. While the racial politics and untrammelled heroism of South Pacific is troubling, its love st…
NEWS: Initial casting is announced for Carousel at Regent’s Park Open Air Theatre
Regent’s Park Open Air Theatre has confirmed the initial principal casting for Rodgers and Hammerstein’s Carousel which plays from 31 July to 25 September 2021. Carly Bawden and Declan Bennett play Julie Jordan and Billy Bigelow, John Pfumojena plays Enoch Snow, Olivier Award winner Joanna Riding plays Nettie Fowler and Natasha May Thomas plays Louise Bigelow.
‘As perfect a piece of musical theatre as I could hope for’: FOLLIES – National Theatre
Just a quickie for this revisit to Follies, which remains as perfect a piece of musical theatre as I could hope for. I loved it then but I really love it now.
Joanna Riding & Janie Dee talk Carousel, Follies & friendship
Janie Dee and Joanna Riding are two of the UK’s finest musical theatre performers. At the National Theatre the return of Dominic Cooke’s acclaimed production of Follies currently stars the two actresses.
‘A simply outstanding piece of musical theatre’: FOLLIES – National Theatre
The Olivier Award-winning Follies returns to the National Theatre in richer, deeper, more resonant form and just blows me away.
‘Scoring top marks across the board’: FOLLIES – National Theatre ★★★★★
Eighteen months on and with a couple of well-placed casting changes Stephen Sondheim’s Follies returns to the National Theatre with the excellence of this devastating musical a breath of fresh air amidst a slew of disappointing recent openings in the capital.
‘It’s worth a visit to see how theatre should be done’: FOLLIES – National Theatre ★★★★
After its sold out run in 2017, Follies is back in true glamorous style as it follows a group of dancers reminiscing and reliving their youth.
‘A thing of real, gentle wonder’: FLOWERS FOR MRS HARRIS – Chichester
Some of the beauty of Flowers for Mrs Harris gets lost at Chichester Festival Theatre but it remains a striking new musical
“It’s a work of art… something not real, made to make you feel”
I had much love for Flowers for Mrs Harris when it premiered in Sheffield a couple of years ago, and so I was delighted to see Daniel Evans deciding to revive it at his new abode over in Chichester. My only cavil came with the placing of this most heartfelt musical in the vast space of the Festival Theatre rather than the intimacy of the Minerva where it might perhaps have been better served.
So much of the beauty of the show (book by Rachel Wagstaff from Paul Gallico’s novel, music & lyrics by Richard Taylor) comes from the fact that it isn’t a bells and whistles epic. It is something far more subtle that truly celebrates the ordinary in extraordinary, as Clare Burt’s charlady Ada Harris dares to dream of owning a Christian Dior dress and in working to achieve that dream, illuminates the lives of those around her.
Largely sung-through, the cumulative effect of Flowers for Mrs Harris is like a ripple billowing through a length of silk fabric, flipping it over – beguiling and beautiful, gentle but ultimately transformative. As Ada’s hard work takes her from Battersea to Paris, some nifty doubling in the cast sees her meeting contrasting figures to those for whom she toils. So Louis Maskell switches from accountant to dreamy photographer, Laura Pitt-Pulford from struggling actress to top model, Joanna Riding aristocracy to couturier, and all impress with their clear delineation.
And Burt is just magnificent the unassuming Ada, slowly coming to realise her place in the world, her worth and her right to a greater happiness than she ever dared dream of in the drudgery of post-war Britain. Lez Brotherston’s design looks superb under Mark Henderson’s well-observed lighting choices, and the conclusion is a thing of real, gentle wonder. Don’t just talk about wanting to see new exciting British musical theatre, go and see it now!
Running time: 2 hours 30 minutes (with interval)
Photos: Johan Persson
Flowers for Mrs Harris is booking at Chichester Festival Theatre until 29th September
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‘One of the most heartwarming shows I have ever seen’: FLOWERS FOR MRS HARRIS – Chichester ★★★★★
Flowers for Mrs Harris is one of the most heartwarming shows I have ever seen and a return to the great British musical. The audible gasps, from the audience, at certain parts a testament to both the writing and performances.
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Caroline Quentin, Rufus Hound & Penelope Keith line up for Chichester Festival Theatre 2018 season
Chichester Festival Theatre’s Festival 2018 season, announced today, will feature new plays by Laura Wade and Charlotte Jones and revivals of Michael Frayn’s Copenhagen and musical Flowers For Mrs Harris.
FosterIAN Awards for Best Supporting Actress
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Emma Rice scores one of her biggest hits on Bankside with a musical that couldn’t be more Emma Rice if it tried. As it is, it fits perfectly into the Sam Wanamaker Playhouse, shaking up the established order once again.
ROMANTICS ANONYMOUS – Shakespeare’s Globe
Frankly, you can’t ignore the fact that every time you see it you get a free piece of chocolate. As long as you have the patience to wait for “le moment de magique” before you eat it.
ROMANTICS ANONYMOUS – Sam Wanamaker Playhouse ❤❤❤❤❤
What a scrummy treat this new musical is! With songs that are like a box of chocolate themselves: full of treats and unexpected surprises and a genuinely heartfelt story that celebrates human flaws, this is a show that uplifts the spirits.
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THE GIRLS – West End
So having not gotten round to seeing The Girls for whatever reason (mainly that I didn’t want to), I finally bit the bullet last week and within 24 hours, the show posted closing notices for its West End run. The Girls will then head out on a two year national tour from August 2018, aiming to visit 42 theatres across the UK
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