British theatre’s determination to adopt Florian Zeller as one of its own continues unabated as the Kiln Theatre’s production of The Son transfers into the Duke of York’s for the autumn.
This portrayal of contemporary family life dealing with depression is honest and believable in The Son, yet there’s a cold judgement underpinning it.
The Son is akin to a beautifully composed piece of music. A perfect balance of light and shade with an inevitable surge to a heart thumping climax.
Rupert Everett’s fascinating performance hides some of the deficiencies inherent in this production of Uncle Vanya which never gets to the heart of this transcendent play.
Jonathan Church, artistic director of Theatre Royal Bath’s summer season, has announced further productions and new casting for the 2019 programme. Katherine Parkinson joins Rupert Everett in the cast of Uncle Vanya which he also directs.
The final episode of Florian Zeller’s domestic trilogy, The Son, is powerfully, even melodramatically, effective.
There is a heartbreaking inevitability to Florian Zeller’s play The Son which is currently on at the Kiln Theatre. Nicolas (Laurie Kynaston), a once bubbly teenager, has become withdrawn since his parent’s divorce. He lies, skips school and his behaviour has started to frighten his mother Anne (Amanda Abbington).
As the world première of Ishy Din’s Approaching Empty opens at Kiln Theatre, the company’s artistic director Indhu Rubasingham has announced the casting for the UK première of Florian Zeller’s The Son, in a translation by Christopher Hampton. Michael Longhurst directs Amanda Abbington, Laurie Kynaston, John Light, Oseloka Obi, Amaka Okafor and Martin Turner. The production opens on 26 February 2019, with previews from 20 February, and runs until 6 April.
The full cast has been announced for the West End transfer of Robert Icke’s new adaptation of Mary Stuart. Following a critically acclaimed, sold out season at the Almeida Theatre in 2016-17, the production will open at the Duke of York’s Theatre from 15 January for a limited run before visiting Theatre Royal Bath, Salford Lowry and Cambridge Arts Theatre.
It’s that time of year again when I am publicly shallow in my appreciation of the men that grace our stages – and given the hit counts I get on these annual posts, you’re all just as thirsty as me! (Note from Mates: Visit Ian’s site for many more, and more revealing, pics of each – plus archive lists since 2009!)
There’s added spice here too since leading players Lia Williams and Juliet Stevenson do not know which of Queen Elizabeth I and Mary Queen of Scots they will be playing until the beginning of the performance when it is decided with a coin toss….