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‘There is a lot here to savour’: PHAEDRA – National Theatre

In London theatre, Opinion, Other Recent Articles, Plays, Reviews by Alun HoodLeave a Comment

A very interesting programme article will tell you the difference between the multiple takes (the National’s programmes remain the most informative and best value for money in the capital) but what audiences really need to know is that this is very much Simon Stone’s Phaedra, and he has once again done what he effected upon Lorca’s Yerma at the Young Vic then subsequently in New York in 2016-7.

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‘The actors create a compelling story as soon as the lights go on’: PHAEDRA – National Theatre

In London theatre, Opinion, Other Recent Articles, Plays, Reviews by Maryam PhilpottLeave a Comment

Simon Stone turns his attention to another important literary woman, Phaedra as imagined by Euripides, Seneca and Racine and given a modern retelling in a production at the National Theatre written and directed by Stone. Stone’s vision for Phaedra is riveting in a piece that explores mature sexuality, fantasy and generational competition between mother and daughter.

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‘A pair of sharp, fresh productions’: PINTER TWO – West End

In London theatre, Opinion, Plays, Reviews by Tom BoltonLeave a Comment

David Suchet, image copyright Marc Brenner The Lover / The Collection by Harold Pinter – Pinter Theatre, London Both these plays, part of Jamie Lloyd’s ingenious idea for a complete season of Harold Pinter’s short works, are from the early 1960s. Nearly 60 years later any normal playwright’s work would be showing its age, but … Continue reading The Lover / The Collection

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NEWS: Jamie Lloyd directs immersive Philip Ridley double bill in Shoreditch

In London theatre, Native, News, Plays, Press Releases, Sticky by Press ReleasesLeave a Comment

Today Shoreditch Town Hall announces an immersive double-bill of Philip Ridley plays, including the world première of Killer and a new production of Ridley’s contemporary classic The Pitchfork Disney, his first stage play which premièred in 1991. The productions will both be directed by Jamie Lloyd and run in ‘The Ditch’ basement spaces of Shoreditch Town Hall in spring 2017. …


In London theatre, Plays, Reviews by Caroline Hanks-FarmerLeave a Comment

It’s fair to say that Pinter is not for the faint hearted of theatre goers. The complexity, controversial and sometimes baffling storylines dealing with sexism, antiquated values, male chauvinism and anger does not make for a necessarily enjoyable evening. An awkward reminder of bygone days is an unusual choice to celebrate its 50th anniversary. However what makes this production is the artistic direction of Jamie Lloyd and a cast of brilliant actors each at the height of their profession.


In London theatre, Plays, Reviews by Aleks SierzLeave a Comment

A true theatre masterpiece can survive any directorial mugging. By this definition, Harold Pinter’s 1965 play, The Homecoming, is a robust work of genius. It has to be because, from the very start of this starry 50th anniversary revival, director Jamie Lloyd seems determined to turn it into a lurid mix of cartoon and nostalgia-fest. As the evening begins, the drama’s grubby setting, given a retro look by designer Soutra Gilmour with the addition of a couple of sticks of period furniture, is bathed in bright red light while pounding drums and throbbing bass evoke something like the Swinging Sixties.