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‘A pair of sharp, fresh productions’: PINTER TWO – West End

In London theatre, Opinion, Plays, Reviews, Ticket recommendations by Tom BoltonLeave a Comment

David Suchet, image copyright Marc Brenner The Lover / The Collection by Harold Pinter – Pinter Theatre, London Both these plays, part of Jamie Lloyd’s ingenious idea for a complete season of Harold Pinter’s short works, are from the early 1960s. Nearly 60 years later any normal playwright’s work would be showing its age, but … Continue reading The Lover / The Collection

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NEWS: Jamie Lloyd directs immersive Philip Ridley double bill in Shoreditch

In London theatre, Native, News, Plays, Press Releases, Sticky by Press ReleasesLeave a Comment

Today Shoreditch Town Hall announces an immersive double-bill of Philip Ridley plays, including the world première of Killer and a new production of Ridley’s contemporary classic The Pitchfork Disney, his first stage play which premièred in 1991. The productions will both be directed by Jamie Lloyd and run in ‘The Ditch’ basement spaces of Shoreditch Town Hall in spring 2017. …

THE HOMECOMING – West End

In London theatre, Plays, Reviews by Caroline Hanks-FarmerLeave a Comment

It’s fair to say that Pinter is not for the faint hearted of theatre goers. The complexity, controversial and sometimes baffling storylines dealing with sexism, antiquated values, male chauvinism and anger does not make for a necessarily enjoyable evening. An awkward reminder of bygone days is an unusual choice to celebrate its 50th anniversary. However what makes this production is the artistic direction of Jamie Lloyd and a cast of brilliant actors each at the height of their profession.

THE HOMECOMING – West End

In London theatre, Plays, Reviews by Aleks SierzLeave a Comment

A true theatre masterpiece can survive any directorial mugging. By this definition, Harold Pinter’s 1965 play, The Homecoming, is a robust work of genius. It has to be because, from the very start of this starry 50th anniversary revival, director Jamie Lloyd seems determined to turn it into a lurid mix of cartoon and nostalgia-fest. As the evening begins, the drama’s grubby setting, given a retro look by designer Soutra Gilmour with the addition of a couple of sticks of period furniture, is bathed in bright red light while pounding drums and throbbing bass evoke something like the Swinging Sixties.