Sally Cookson’s reinterpreted Peter Pan at the new, splendid, exciting Troubadour Theatre very near White City tube captures contemporary imaginations because they can see how it works, and are gripped by the techniques.
The aim of the album is to challenge preconceptions people may have about refuge and refugees; creativity in those situations might seem, in some ways, to be at the back of people’s minds, when in fact it might be the simplest way of keeping yourself going.
The full cast has been announced for the West End transfer of Joe Murphy and Joe Robertson’s The Jungle, a National Theatre and Young Vic co-production with Good Chance Theatre, directed by Stephen Daldry and Justin Martin.
Any number of shows could have been included in this post; frankly it’s ludicrous that I decided to stick with my whole top 12 idea… As I’ve seen about 90 more individual shows than last year.
This new play about refugee-camp life in Calais is a gruelling docu-drama, powerful but oh so middle class!
Harrowing is barely the word to describe this dramatisation of the way in which the Nazis persecuted gay men in Germany before and during World War II.
Belonging is a public debate with poncy performance chaired by Scottee. Together with a committee of prominent queers he will explore where queer people sit in our society. A boozy, loose-tongued version of Question Time with less middle aged, middle class white men. Come and mouth off on the eve of London Pride.
Emma Rice’s Summer of Love got off to a slightly sticky start at the Globe with a mystifying take on Romeo and Juliet from Daniel Kramer and as we move onto Twelfth Night, which she is directing herself, there’s a similarly uncompromising attitude in place.