Rebus: Long Shadows is a bit of a mixed bag, lacking in intensity and with a plot which is overly complicated, but the production is suitably atmospheric and engaging to watch unfold.
The past catches up with the whisky-swilling ex-DI in Rebus: Long Shadows, a brooding, noirish, thriller especially written by Rankin for the stage and skilfully adapted by Rona Munro.
Olivia Vinall and Edward Hogg take the roles of Rosalind and Orlando in Regent’s Park Open Air Theatre’s As You Like It, with Keziah Joseph and Beruce Khan in the roles of Celia and Oliver.
Premiered in 1953 in France and 1955 in London Waiting for Godot was immediately dismissed by a majority of the London intelligentsia as a work of pretentious twaddle. After Harold Hobson and Kenneth Tynan flew to its rescue in the Sundays it soon found its place as a major work of 20th century theatrical canon.
Despite being blown away by True West, something about Sam Shepard makes me a little wary. I liked rather than loved Fool For Love and ultimately steered clear of the recent Buried Child and it was with a little trepidation that I allowed myself to make my way into A Lie of the Mind, produced here at the Southwark Playhouse by the folks at Defibrillator Theatre.
Lucid and engaging, the Lyceum’s Scottish-set production of The Winter’s Tale has much to recommend it, even if it does not quite convince.