Two scratch-your-head stats shared during my post-show Q&A for Schism at London’s Park Theatre: one, less than five percent of the UK population has dated someone with a disability, and two – wait for it – only one in four have even had a conversation with a disabled person.
Athena Stevens’ Schism is a bold and candid two-hander about ambition, power and determination, played out over 20 years in a stormy relationship that is more Machiavellian than true romance.
New drama about surrogacy is rich in metaphor and fraught with conflict, but you have to ignore its politics.
Very well-deserved West end transfer for thrilling new play about ethics in the age of the internet… How well do parents know their kids? Especially their teenage kids. Jack appears to be a nice, well-spoken 17-year-old youngster about to take his exams. You see, he has ambitions to study law at Durham University. His parents, David and Di, think he’s a normal boy and they are really proud of all of his hard work. And of his good grades. But, in James Fritz’s compelling 90-minute play, they are about to be disillusioned. And the trick is that we never get to see Jack: he remains offstage, so all we are left with is the reactions of his parents and friends.