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DOWN UNDER Year in Review: Music theatre in 2016

In Australia, Features, International, Musicals, Opinion, Reviews by Simon ParrisLeave a Comment

Predating the UK’s entry into the EEC/EU (and quite possibly outlasting it too!) the Cambridge University European Theatre Group has over the years amassed a fine degree of cross-Channel cultural integration. To some extent, this year is no exception and having just completed a Swiss tour via Belgium the group bring their 2016 production of Hamlet to the Cockpit Theatre for one day only.


In Australia, Musicals, Reviews by Simon ParrisLeave a Comment

While the show as a whole may be losing some of its impact with each return visit, this season serves to provide a showcase for many emerging talents. The proliferation of performing arts training courses provides a ready supply of highly qualified triple threats. With the dancing still at a very high level, this is the best singing I have ever heard in the show. Musical director Paul White has imbued the ensemble singing with the tightest dynamics heard on this stage since Wicked, and the featured roles are none too shabby either.