The National Theatre really did save lockdown and made us appreciate our phenomenal creative industries, but they may also have inadvertently pointed the way for the future as surely as National Theatre Live did in 2009.
Theatre photography is one of the most important ways to promote a new production and simultaneously one of the elements audiences – and probably most creatives – actively think least about.
To take a play as epic in scale as Coriolanus and find a natural home within the intimacy of London’s Donmar Warehouse takes a skill and lightness of touch that is not only rare but all so often missed.
There are some staggering contemporary references to draw from this staging of a lesser-known Shakespeare, starring Tom Hiddleston.
Lockdown occasionally spawns some real delights. Like the surprise appearance of a strange creature from the profoundest depths. One of these must be Andrew Scott’s superb performance in Simon Stephens’s Sea Wall.
If you’re struggling with all the choice, Mind The Blog has come up with her top five musicals you do not want to miss in 2020.
Josie Rourke’s critically acclaimed and Olivier Award-winning production of City of Angels makes its West End transfer five years since opening at the Donmar Warehouse in 2014.
Sweet Charity, Josie Rourke’s farewell production at the Donmar Warehouse which stars Anne-Marie Duff as Charity and Arthur Darvill as Oscar, appears to have charmed the majority of our Mates, with a few reservations here and there. The musical continues until 8 June 2019.
‘A sweet sexy fairy tale’ is how one critic described Sweet Charity on its opening in London in October 1967. And Josie Rourke’s final production as the Donmar’s artistic director before handing over to Michael Longhurst certainly lives up to that description, but also makes it something rather more and darker because of the unlikely casting of Anne-Marie Duff as Charity.
This is as unconventional production of Sweet Charity as you’re likely to see. Set firmly in the art milieu of Andy Warhol’s Factory, it’s so perfectly, silver-foil-wrapped acid-tabbed 1967 it’s like you were actually there.
Love London Love Culture rounds up the reviews for Josie Rourke’s final production at the Donmar Warehouse, Sweet Charity.
The minute you walk in the joint (Hey, big spender!), the trumpets and sax blare an impertinent welcome and you’re in the right dive for Sweet Charity.
Director Josie Rourke ends her tenure at the Donmar Warehouse with a hip revival of Sweet Charity that pushes Anne-Marie Duff out of her comfort zone and shows a new side to Adrian Lester.
Multiple guest actors will play the role of Daddy Brubeck in Josie Rourke’s production of Sweet Charity at the Donmar Warehouse including Shaq Taylor, Adrian Lester, Le Gateau Chocolat, Beverley Knight and Clive Rowe with further casting to be announced.
Christopher Haydon, the former artistic director of the Gate Theatre in London, has written the book About The Art of the Artistic Director.
The Donmar Warehouse’s sold-out production of the Pulitzer Prize-winning Sweat by Lynn Nottage will transfer to London’s Gielgud Theatre for a limited six-week run from 7 June 2019, with Martha Plimpton reprising her role as Tracey in Lynette Linton’s acclaimed production. Further casting is to be announced.
Anne-Marie Duff will lead the cast in Donmar Warehouse’s artistic director Josie Rourke’s farewell production, Sweet Charity, opposite Arthur Darvill making his Donmar Warehouse debut as Oscar. The musical will run from 6 April to 8 June 2019 (press night is 17 April).
There’s every reason why Josie Rourke should have chosen Measure for Measure to direct in her final season as the Donmar’s artistic director. Anyone with half an ear to public events in the arena of gender relations and abuse of power in the past two years would recognise its extraordinary pertinence.
Mark Shenton offers the week’s news, reviews, quotes and tweets in theatre from both sides of the Atlantic, including an interview with Sonia Friedman, reviews of Shakespeare in three different abbreviated versions, and a YouTube star appearing on Broadway.
This is a made for measure Measure-For-Measure. Its greatest achievement is hacking the flabby old Jacobian down to the right side of 90 minutes. It rollicks through, giving a booster jab to the drama but keeping quiet pauses and poetry.