Created by Wild Mountain Productions and presented by Greg Barnett, a spectacular line-up was brought to the stage of the Apollo to take us through a night of vocal gymnastics, diversity, humour and just a bunch of fun in the first instalment of Monday Night at the Apollo.
This weekly column keeps track of the shows that are coming back, or are newly being announced, as theatres prepare to re-open from next month onwards. It will be updated weekly until such time as it becomes a reality, and from then on will provide a weekly update to that week’s openings and future ones.
Meanwhile, I want to start keeping track of the shows that are coming back, or are newly being announced, in a new feature here that will be updated weekly until such time as it becomes a reality, and from then on will provide a weekly update to that week’s openings and future ones.
A Marvellous Party, commissioned by the Noël Coward Foundation, ostensibly marks the centenary of Coward’s first appearance on stage and has been produced to raise funds for actors on both sides of the Atlantic who are struggling with the effects of the pandemic.
World premieres in Chichester Festival Theatre’s Festival 2020 include first plays by Steven Moffat and Kate Mosse and new work by Suhayla El-Bushra and Christopher Shinn.
Ivo van Hove’s production and stage adaptation of the film All About Eve is trademark van Hove and that is a good and bad thing.
Love London Love Culture’s Kirsty Herrington paid a visit to the Noel Coward Theatre to see Ivo van Hove’s production of All About Eve, based on the Oscar-winning film.
Ivo van Hove’s take on All About Eve ticks all my boxes at the Noël Coward Theatre, great work from Gillian Anderson, Lily James and a stellar Monica Dolan.
This All About Eve is something quite different, same story deliberately new frame with staging that pushes at the boundaries of theatre and film.
Further casting has been announced for the world premiere of Ivo van Hove’s stage production of the 1950 Twentieth Century Fox film All About Eve.
I left the Royal Festival Hall, after seeing Sondheim On Sondheim, in awe of the performers, in love with Sondheim’s music and connected to him as a person.
Live At Zédel, Soho’s unique live entertainment concept at Crazy Coqs, announces its new 2018 winter/spring season produced in partnership with Fane Productions.
The Treatment has often been ignored, perhaps on account of its large cast, or because of its large scale. Now that the Almeida Theatre has decided to stage this story of how art cannibalises life we have the chance to judge its relevance some 25 years after its premiere.
The Almeida Theatre today announced the full cast of The Treatment, Martin Crimp’s new play, which runs from 24 April 2017 to 10 June 2017, with a press night on 24 April.
Sunday 15 May 2016 saw the Stephen Sondheim Society Student Performer of the Year Awards 2016 take place at London’s Novello Theatre, with Guildford School of Acting’s Courtney Bowman (pictured centre) crowned the winner. Catherine Francoise was at the event for www.jonathanbaz.com and reports.
I’ve been thinking a lot about new musicals recently. It’s an oft-quoted adage (a la Sondheim) that musicals are rewritten rather than written. And that’s rewrites over a period usually of years, even decades. So, for the purposes of this blog, I’m defining ‘new’ musicals as ones still being actively re-written by their makers.
The most moving moment for me every year at the Olivier Awards ceremony is the tribute sequence, during which the industry remembers colleagues who have passed away during the previous 12 months. This year’s tribute was a musical one, with Julian Ovenden singing (beautifully) “Smile and the World Smiles With You”, accompanied by choir and […]
This afternoon I caught up with the ITV highlights programme of last night’s Olivier Awards. While quite entertaining, it’s no surprise that the telecast missed out a lot of good stuff – sometimes right in the middle of a quote. (Ahem, see Kevin Spacey, oh what’s his name… Matthew Warchus.) The TV version was just […]
As a way of raising the glamour stakes ahead of this Sunday’s Laurence Olivier Awards, last Saturday’s Times Magazine‘s cover story was a five-star effort. For the piece, three out of four of this year’s Best Actor nominees – James McAvoy, Mark Strong (for The Ruling Class and A View From the Bridge, both of […]
REMEMBERING REG…A REVIEW WORTH A REMIX Thought I should see how it feels in a bigger theatre, after writing at the Donmar that Kevin Elyot’s 1994 play is “pretty much perfect: a twist on the traditional drawing-room, single-set … Continue reading →
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