Confession time: I have found it difficult in the past to really enjoy or appreciate Peter Pan. This isn’t so much down to JM Barrie’s classic story but in the way it has been staged or filmed.
Ought To Be Clowns tackles a trio of Broadway cast recordings in the shape of Cole Porter’s The New Yorkers, Kiss Me, Kate! and Beetlejuice.
The American leading ladies London seems to take to its heart seem to be belters, but Kelli O’Hara has more variety in her voice than any of them.
New York City Center Encores – an NYC haven for neglected or forgotten shows – have now revived Brigadoon six times, a testament to its enduring appeal, and this latest manifestation with the delectable Kelli O’Hara as Fiona is most welcome.
Musicals Company and Come From Away top the Olivier Awards 2019 nominations with nine nods each, while The Inheritance is the most recognised play with eight nominations. The ceremony takes place on Sunday 7 April at the Royal Albert Hall, hosted by Jason Manford.
Mark Shenton offers a wrap-up of news from the West End, Broadway and Edinburgh, including the West End transfer of Waitress, Edward Hall saying farewell to Hampstead Theatre and Laura Benanti joining My Fair Lady on Broadway.
The multiple Tony Award-winning Lincoln Center Theater production of Rodgers and Hammerstein’s The King & I – currently enjoying West End success – is to be released in cinemas around the world this autumn by Trafalgar Releasing.
Full shortlists are announced today in The Stage’s second annual Debut Awards, celebrating the UK’s most outstanding breakthrough talent in theatre. Big names – including Bryan Cranston, Aidan Turner and Broadway’s Kelli O’Hara in the West End category – are recognised alongside up and coming talent. Winners are announced at a ceremony on 23 September 2018.
Really, The King & I could hardly be bettered. Beautiful staging without exaggeration, a real spark between O’Hara and Watanabe, and perfect support.
Bartlett Sher’s production of the classic Rodgers and Hammerstein musical The King & I is a real treat for the eyes and the ears.
Notwithstanding high expectations, together with The King & I’s difficult issues that are made even more complex in a modern world of evolving values, this transfer of the 2015 Broadway revival does not disappoint.
Bartlett Sher’s production of The King & I brings the classic Rodgers and Hammerstein musical to the West End. But what have critics had to say about it?
Kelli O’Hara trails a cloud of Broadway success and redefines the role of Anna in The King & I in a way that lays the ghost of previous incumbents and outshines all our homegrown talent.
This production is a sublimely exquisite staging of a classic Rodgers and Hammerstein show. All hail Broadway Queen Kelli O’Hara for bringing her inimitable characterisation and vocal supremacy to her portrayal of Anna
Takao Osawa, the multi-award-winning actor and star of one of Japan’s most popular television series Jin, will join the cast of Rodgers and Hammerstein’s The King and I to play Kralahome, trusted adviser to The King of Siam, when the smash hit musical transfers from Broadway to the London Palladium on 21 June 2018 (press night is 3 July).
Dean John-Wilson (who starred in the title role of Disney’s original West End production of Aladdin) and Na-Young Jeon (Fantine in Les Misérables in the West End and Gigi in Miss Saigon on world tour) join the West End cast of The King & I as the young lovers, Lun Tha and Tuptim.
Ruthie Ann Miles will reprise her Tony Award-winning and critically acclaimed Broadway role of Lady Thiang in the West End production of THE KING AND I.
The multi Tony Award-winning production of Rodgers & Hammerstein’s THE KING AND I will transfer from Broadway to London next summer following a critically acclaimed 16- month run at New York’s Lincoln Center Theater and an unprecedented continuing record-breaking sold-out USA tour. The production will start performances on 21 June 2018 – with a press night on 3 July 2018, booking until 4 …
Though often cited as one of the titans of new musical theatre writing, I think it is fair to say that Jason Robert Brown has never managed to nail a proper commercial hit on Broadway. Despite the critical acclaim and cult status that has built up around shows like Parade and The Last Five Years, the Great White Way has resisted his charms.
Predating the UK’s entry into the EEC/EU (and quite possibly outlasting it too!) the Cambridge University European Theatre Group has over the years amassed a fine degree of cross-Channel cultural integration. To some extent, this year is no exception and having just completed a Swiss tour via Belgium the group bring their 2016 production of Hamlet to the Cockpit Theatre for one day only.