Love London Love Culture rounds up the reviews for Amy Trigg’s play Reasons You Should(n’t) Love Me which officially reopened the Kiln Theatre.
For the first time since theatres closed on 16 March 2020, Kiln Theatre will reopen to share live performance with audiences with a season of work including three world premieres.
The Stage has announced the winners of The Stage Awards, reimagined this year to celebrate theatrical organisations who continued to create great theatre, show innovation, and help ensure theatre survives in response to the Coronavirus pandemic.
The BBTAs have revealed the 2020 Black British Theatre Awards nominee list, voted almost entirely by the public and representing some of the finest work by Black performers and creatives in UK theatre. The 2020 awards ceremony will air on Sky Arts this autumn, as part of the channel’s free to air line-up.
In our continuing series, editor Lisa Martland picks out some of her Top Picks from the last week of theatre (to 1 March 2020), ranging from Love London Love Culture’s thoughts on David Mitchell’s West End debut in the stage adaptation of TV favourite Upstart Crow at the Gielgud Theatre.
Despite its absurdist style, Pass Over is a political play whose message is indisputable. The evening is a powerful mixture of male camaraderie, brutality and almost casual defiance.
In our continuing series, our editor Lisa Martland picks out some of her Top Picks from the last week of theatre (to 5 January 2020), including Aleks Sierz’s mixed feelings about Snowflake at the Kiln Theatre.
Mike Bartlett’s Christmas cracker Snowflake goes out with a bang, but it really takes a long and clumsy time to do it.
Emma Clarendon selects her favourite theatre productions of the year…
In our continuing series, our editor Lisa Martland picks out some of her Top Picks from the last week of theatre (to 17 November 2019) including Ian Foster’s delight at the arrival of Mary Poppins to its original West End home.
When The Crows Visit is a powerful new play, and Indhu Rubasingham’s production is a notable success for the Kiln Theatre.
Anupama Chandrasekhar’s chilling play examines what happens when a cycle of violence and those who stand by and watch it happen is passed down through the generations.
In our continuing series, editor Lisa Martland picks out some of her Top Picks from the last week of theatre (to 3 November 2019). Libby Purves emphasises the significance of Anumpama Chandrasekhar’s new play When The Crows Visit at the Kiln Theatre.
Reviews are in for Anupama Chandresekhar’s “startling and powerful” new “haunting beast of a play” When the Crows Visit at London’s Kiln Theatre, where it continues until 30 November. We’ve rounded up highlights from Asian culture vultures and other critics. Time to get booking!
I’ve been remiss in not getting back up to Kilburn, where I lived for many years, since the reopening of Kiln Theatre. But I was able to put that right with a trip to artistic director Indhu Rubasingham’s world premiere production of Anupama Chandresekhar’s When the Crows Visit.
Director Indhu Rubasingham spares us none of the rage and horror of violent mutilation as male anger rises against women who are educated in Anumpama Chandrasekhar’s play When The Crows Visit and – this makes you wince – of female complicity in the middle and oldest generations
The world premiere of leading Indian dramatist Anupama Chandresekhar’s When the Crows Visit has just officially opened at London’s Kiln Theatre, where it continues until 30 November. Have a look at artistic director Indhu Rubasingham’s sumptuous production – and then get booking!