Shepard Tone Theatre Company’s An Abundance of Tims is a rather strange one-man show that feels like exactly what it claims to be – a story all about Tim and the misadventures he and his two speaker companions (also both played by Tim) have.
Following its world premiere at the Edinburgh Festival Fringe, Hamilton (Lewis) – a musical story about the most successful British F1 driver in the history of the sport Lewis Hamilton – will run at London’s King’s Head Theatre from 5 to 22 September 2018.
There are definitely some nice ideas at work here, but the dramaturgical execution is pretty poor. Unbelievable dialogue and tenuous narrative events are too big to be held up by the story and concept.
How do you keep cool on a hot summer night in an un-airconditioned Off-West End theatre? Luckily, for some of the cast of Ghost About the House, the script of Matthew Campling’s new comedy just opened at the King’s Head Theatre requires them to spend much of the 90 minutes in their underpants…
In The Unbuilt City, a young man and an old woman meet in the house where she has lived since childhood. At first it is difficult to imagine two characters so utterly unlike each other and with so little in common.
Sandra Dickinson spoke to Love London Love Culture’s Emma Clarendon about her upcoming role in The Unbuilt City, playing at the King’s Head Theatre from the 6 to the 30 June 2018.
King’s Head Theatre is currently home for the show F*cking Men, written by Tony Award-winning writer Joe DiPietro. The show follows a multitude of characters that are interwoven into multiple narratives, exploring monogamy, lust and cruising.
I hope that F*cking Men continues to evolve and resonate with new audiences. Expect scatterings of nudity throughout, brief simulated sex scenes, naughty words, and a really gorgeous ending.
Sex With Robots and Other Devices gives us a glimpse into what could be our future, wittily and succinctly exploring whether or not we should be okay with it.
