After their 2018 production of Philip Ridley’s Moonfleece, Lidless Theatre present the tenth-anniversary revival of Ridley’s seminal play Tender Napalm.
‘This play really sparks conversation’: Charlotte Peters directs Dance at the King’s Head Theatre
Director Charlotte Peters chats about directing Matthew Morrison’s DANCE at the King’s Head Theatre.
‘Honest & intense’: NO STRINGS ATTACHED – King’s Head Theatre
It’s been 436 days since the King’s Head Theatre closed its doors due to the pandemic, but who’s counting. The theatre makes a comeback with the debut of No Strings Attached by Charles Entsie, an absorbing, site-specific production about the encounter between two strangers late at night, on the third floor of an underground car park, hiding from other people’s gaze.
‘Economically written & absolutely truthful’: VESPERTILIO – King’s Head Theatre (Online review)
Barry McStay’s play Vespertilio, first staged at the Vault Festival in 2019, is a two-hander about bats, vampires, gay life, lies, and displacement.
‘It’s all about humanity’: SACRAMENT – King’s Head Theatre (Online review)
Following successful runs at The Theatre Upstairs in Dublin and The Vault Festival, Sacrament now comes to the King’s Head Theatre’s Plays on Film season.
‘Melodically spot-on & lyrically fun’: I WISH MY LIFE WERE LIKE A MUSICAL – King’s Head Theatre (Online review)
King’s Head Theatre and Spectacular Music present Alexander S. Bermange’s sparkling musical revue I Wish My Life Were Like A Musical, which heads into London from the Edinburgh Fringe with a quartet of musical theatre performers cheerfully lampooning their craft and genre.
‘Delightfully done’: VESPERTILIO – King’s Head Theatre (Online review)
Both Benedict Salter and Joshua Oakes-Rogers have created complex characters and handle the cut and thrust of Barry McStay’s dialogue with aplomb in Vespertilio.
‘Lively & sharp – with just a hint of cheekiness’: Snow White In The Seven Months Of Lockdown – Charles Court Opera (Online review) ★★★★
Putting a hilarious twist on the story of Snow White and still allowing for audience participation, online pantomime Snow White In The Seven Months Of Lockdown is a real joy to watch.
‘Lively, funny show’: Snow White In The Seven Months Of Lockdown – Charles Court Opera (Online review)
The Charles Court Opera team, working at the King’s Head Theatre in Islington, presents Snow White In The Seven Months Of Lockdown.
‘Hysterically hilarious from beginning to end’: THE SIX WIVES OF HENRY VIII – King’s Head Theatre ★★★★★
Alternating historical poorly-researched lessons, German psychedelic music routines and and ill-fitted frocks, there is not a dull moment in The Six Wives of Henry VIII.
Best of the Blogs: Les Misérables, Rags, Lullabies for the Lost & more
In our continuing series, our editor Lisa Martland picks out some of her Top Picks from the last week of theatre (to 19 January 2020), including Aleks Sierz’s view that the new production of Les Misérables at the Sondheim Theatre is marching on to victory.
‘A comic gem’: JEW…ish – King’s Head Theatre
The shifts in storytelling dynamics in JEW…ish at the King’s Head Theatreare fluidly brought to life, so they never jar, but continue to entertain.
Love London Love Culture presents her shows of the week
Here’s a guide to some of the shows that you might want to book tickets for in the week beginning 13 January 2020.
‘An ultimately, moving evening in the theatre’: Ron Elisha brings his play Falling in Love Again to the King’s Head
Playwright Ron Elisha chatted to Emma Clarendon about the world premiere stage production of Falling in Love Again at the King’s Head Theatre.
NEWS: Millennial romcom JEW…ish transfers to King’s Head Theatre after Edinburgh sell-out
Unleash the Llama’s acclaimed, sell-out romantic comedy JEW…ish returns to London this month for six performances only at the King’s Head Theatre, running from Tuesday 14 January to Sunday 19 January 2020.
‘A beautifully observed slice of life’: A PRAYER FOR WINGS – King’s Head Theatre ★★★★
A Prayer for Wings is a beautifully observed slice of life (despite odd moments that remind you it was written 35 years ago).
Best of the Blogs: The Mates give their verdicts on Noises Off, Translations, [Blank], The Girl Who Fell, Tickle The Musical & more
In our continuing series, our editor Lisa Martland picks out some of her Top Picks from the last week of theatre (to 20 October 2019), ranging from Olivia Mitchell’s thigh-slapping joy on seeing Noises Off to Libby Purves’ plea that we listen to the story being told in [Blank] at the Donmar Warehouse.
‘It’s all really rather good fun’: TICKLE THE MUSICAL – King’s Head Theatre
Set in the world of competitive enduance tickling, Tickle the Musical proves a rather good-natured, sweet thing at the King’s Head Theatre.
Best of the Blogs: Master Harold, The Watsons, Mamma Mia!, The Open, Two Ladies &…
In our continuing series, our editor Lisa Martland picks out some of her Top Picks from the last week of theatre (to 6 October 2019), ranging from Libby Purves’ childhood reminiscences associated with Master Harold and the Boys at the National to Abba-fest Mamma Mia! The Party and reviews of new plays The Open, Two Ladies, The Watsons and more. Enjoy.
‘A brilliant way to introduce audiences to (more) opera’: THE ELIXIR OF LOVE – King’s Head Theatre ★★★★★
This rom-com opera, The Elixir of Love is great fun and incredibly engaging – a ray of sunshine on a cold autumn evening.