Small Truth Theatre has commissioned a series of micro plays recorded as part of its Digital Caravan space (their original mini theatre on wheels being decommissioned because of the need for social distancing). About a month ago they put out a new set of material under the umbrella title of Our Voices consisting of four short pieces inspired by interacting with young people in and around the company’s north Kensington home.
From a red handkerchief disappearing within the hands of a magician to fake footage in the early 20th century, Hampstead Theatre’s latest international import is the UK premiere of The Art of Illusion, a 2014 French play exploring the history of magical performance and inventive approaches to entertaining audiences.
Dark Sublime is a rare personal drama about an older gay woman trying to find her place and identity in a changing world, with plenty of laughs – particularly aimed at the world of showbiz – and some interesting questions about the nature of fandom.
Dark Sublime is a fun and interesting night out that will attract a new audience with an interest in television to the theatre.
Dark Sublime is a long play and while it contains some really good material it would benefit from being trimmed back to make it slicker and more focused.
Arinzé Kene’s one-man show good dog has been brought back by tiata fahodzi for a UK tour, directed by Natalie Ibu and starring RADA graduate Kwaku Mills.
It’s almost eight years since the riots that spread across London, sparked by the fatal shooting of Mark Duggan by police in Tottenham. Arinzé Kene’s good dog tells the story of that summer, and – more importantly – of the years of building tension and disillusionment that preceded it.
The End of Eddy, starring Alex Austin and Kwaku Mills (in his professional debut) star in this tale of growing up poor, an outsider in a rural France.