Intricate but not in-your-face Falsettos is a must-see reminder of human love; and a great example of how moving music can be.
If ever there was a triumph of delivery over content, then this first London production of the New York Jewish musical Falsettos is it.
Judging the production at face-value though, Falsettos is well sung, ultra-smart and ultimately gutting. Those who buy a ticket will have plenty to look forward to.
Little Miss Sunshine is impressively directed with a high energy level, the songs are so good that I hope a soundtrack CD is soon released, and overall it’s a very solid four-star musical I could easily imagine transferring to the West End and being a big hit.
This musical adaptation of the 2006 film Little Miss Sunshine is playing at the Arcola Theatre before embarking on a UK tour.
Every time I see a new musical made from a recent-ish film, I wonder if this could be ‘the one’, the one that jumps the shark and enters the canon of the regularly performed.
The European premiere of Little Miss Sunshine at Arcola Theatre will star Laura Pitt-Pulford as Sheryl, the matriarch of the eccentric Hoover family and Gary Wilmot as Grandpa. The Off-Broadway hit musical opens at the Arcola Theatre, London on 21 March 2019 running until 11 May (press night is 1 April) before embarking on a UK tour.
My Top 10 ‘Losing My Mind’ post has been one of the most popular on the site, so I thought I would repeat the exercise with what is arguably Company’s most iconic song ‘Being Alive’.
Some of the beauty of Flowers for Mrs Harris gets lost at Chichester Festival Theatre but it remains a striking new musical
“It’s a work of art… something not real, made to make you feel”
I had much love for Flowers for Mrs Harris when it premiered in Sheffield a couple of years ago, and so I was delighted to see Daniel Evans deciding to revive it at his new abode over in Chichester. My only cavil came with the placing of this most heartfelt musical in the vast space of the Festival Theatre rather than the intimacy of the Minerva where it might perhaps have been better served.
So much of the beauty of the show (book by Rachel Wagstaff from Paul Gallico’s novel, music & lyrics by Richard Taylor) comes from the fact that it isn’t a bells and whistles epic. It is something far more subtle that truly celebrates the ordinary in extraordinary, as Clare Burt’s charlady Ada Harris dares to dream of owning a Christian Dior dress and in working to achieve that dream, illuminates the lives of those around her.
Largely sung-through, the cumulative effect of Flowers for Mrs Harris is like a ripple billowing through a length of silk fabric, flipping it over – beguiling and beautiful, gentle but ultimately transformative. As Ada’s hard work takes her from Battersea to Paris, some nifty doubling in the cast sees her meeting contrasting figures to those for whom she toils. So Louis Maskell switches from accountant to dreamy photographer, Laura Pitt-Pulford from struggling actress to top model, Joanna Riding aristocracy to couturier, and all impress with their clear delineation.
And Burt is just magnificent the unassuming Ada, slowly coming to realise her place in the world, her worth and her right to a greater happiness than she ever dared dream of in the drudgery of post-war Britain. Lez Brotherston’s design looks superb under Mark Henderson’s well-observed lighting choices, and the conclusion is a thing of real, gentle wonder. Don’t just talk about wanting to see new exciting British musical theatre, go and see it now!
Running time: 2 hours 30 minutes (with interval)
Photos: Johan Persson
Flowers for Mrs Harris is booking at Chichester Festival Theatre until 29th September
Let’s block ads! (Why?)
Flowers For Mrs Harris, a 2016 Sheffield hit for director Daniel Evans when he was there, is the big musical flourish for Chichester Festival Theatre, where Evans is now completing his second year as artistic director.
Flowers for Mrs Harris is one of the most heartwarming shows I have ever seen and a return to the great British musical. The audible gasps, from the audience, at certain parts a testament to both the writing and performances.
Love London Love Culture’s Emma Clarendon spoke to Laura Pitt-Pulford about her current role in The Gronholm Method at the Menier Chocolate Factory, playing until 7 July 2018.
I find myself bemoaning weak material in The Biograph Girl while applauding excellent performances. In the cast of nine, everyone is engaging, focused and talented with tremendous collective energy.
Intriguing and sharp, Jordi Galceran’s play The Gronholm method asks just how far you would go to get the job that you want and at what cost with mesmerising effect.
Among other things, The Gronholm Method cheeringly displays how widely in the corporate working world people fear and despise human resources psychologists and tricksy interview techniques…
The Menier Chocolate Factory has announced full casting for the UK premiere of Jordi Galceran’s The Grönholm Method. Making his UK directorial debut, BT McNicholl directs Jonathan Cake (Frank), Greg McHugh (Carl), Laura Pitt-Pulford (Melanie) and John Gordon Sinclair (Rick). The production opens on 22 May 2018, with previews from 10 May, and runs until 7 July. Set in the …
Menier Chocolate Factory once again proves that bigger isn’t better, presenting a lively, immersive staging of classic 1980 musical Barnum.
Gordon Greenberg directs this latest revival of the musical Barnum, starring Marcus Brigstocke in the title role and running at London’s Menier Chocolate Factory until 3 March 2018. Love London Love Culture rounds up the reviews here.
Officially the star is Marcus Brigstocke, best known as a Radio 4 standup comedian: but actually, the real star is the ensemble.
West End musical theatre group, The Barricade Boys, have announced a massive line-up of guest stars for their limited Christmas Cabaret season, which runs at London’s The Other Palace Studio from 5 to 23 December.