Initial casting is announced today for the West End transfer of Laura Wade’s The Watsons. Following sold-out seasons at both Chichester Festival Theatre and the Menier Chocolate Factory, the production runs at the Harold Pinter Theatre from 8 May to 26 September 2020, with a press night on 18 May. Tickets are now onsale via MyTheatreMates.
With a new year fast approaching, it is an interesting time to reflect on small changes across the theatre landscape in 2019 that will continue to shape how UK theatre will look as it moves into a new decade.
Following sold-out runs at both Chichester Festival Theatre and the Menier Chocolate Factory, Laura Wade’s The Watsons transfers to the West End in 2020. The production opens at the Harold Pinter Theatre on 19 May, with previews from 8 May, and runs until 26 September.
Like characters in a book who never die, Laura Wade’s The Watsons at the Menier Chocolate Factory deserves to last forever.
Thus Andrew Davies sexes up Jane Austen’s Sanditon for ITV with incest, brothels and Theo James leaping on coaches, and up from Chichester, adapted a bit, here’s Laura Wade taking on the earlier Watsons.
The list of nominees has been revealed for this year’s UK Theatre Awards, the only nationwide awards to honour and celebrate outstanding achievements in theatre throughout England, Scotland, Wales and Northern Ireland. Best New Play nominees are Laura Wade’s The Watsons, Ulster American by David Ireland and Life Of Pi, adapted by Lolita Chakrabarti from Yann Martel’s novel, while Best Musical …
It’s a #ReadaPlayaWeek: featuring Laura Wade’s Breathing Corpses; Adult Child/Dead Child (1987) by Claire Dowie; Thatcher’s Women by Kay Adshead; and Superhoe by Nicôle Lecky.
How far would you go to achieve domestic perfection? What even is domestic perfection? Is our happiness shaped by or confounded by traditional gender roles? These are the questions Laura Wade poses in her feminist satire Home, I’m Darling.
Love London Love Culture rounds up the reviews for Laura Wade’s play Home, I’m Darling which has transferred to the West End.
Losing your job can affect people in different ways but Judy Martin retreats into a 1950s Twilight Zone in Laura Wade’s surreal, bittersweet, comedy Home, I’m Darling which opened this week at the Duke of York’s Theatre.
As rehearsals begin, casting has been announced for the West End transfer of the National Theatre and Theatr Clwyd’s critically acclaimed co-production of Home, I’m Darling, a new play by Laura Wade, directed by Theatre Clwyd artistic director Tamara Harvey, featuring Katherine Parkinson, which begins performances at the Duke of York’s Theatre on 26 January 2019.
Mark Shenton offers reviews, news, interviews and tweets of the week from the West End, Broadway and beyond.
The National Theatre and Theatr Clwyd’s critically-acclaimed co-production of Laura Wade’s new play Home, I’m Darling, directed by Theatre Clwyd artistic director Tamara Harvey and featuring Katherine Parkinson, will transfer to the West End, in a co-production with Fiery Angel.
Random and topical thoughts and quotes gathered by My Theatre Mates contributor Aleks Sierz, first published on www.sierz.co.uk.
Laura Wades’s return to the stage is a bright satire about marriage and nostalgic fantasy
The post Home, I’m Darling, National Theatre appeared first on Aleks Sierz.
Breathing Corpses, by Split Brick and New Celts at The Space on the Mile, leaves a nasty taste in the mouth at times. This is entirely intentional, as it is a decidedly nihilistic study of death, which seeks to confront difficult issues head-on.
Katherine Parkinson is simply spectacular as Judy, a vision in froufy frocks and pin-up hair, a woman who has entirely reinvented herself, right down to the way she holds herself.
From news headlines and Twitter gems to must-read columns and the biggest openings in London, New York and Edinburgh, Mark Shenton – currently resident in Provincetown, Massachusetts for the summer – rounds up the most interesting theatre goings-on that made his finely tuned radar. Ian McKellen, Rosemary Harris, Laura Wade, Mark Rylance, Dominic Dromgoole and desperate EdFringe review pleas all feature this week…
It’s great to see a new Laura Wade play, with a female-focused cast and great writing, on stage at the National. Now put it on the Olivier, and it will be a bigger sign of progress.
This time, in Home, I’m Darling, Laura Wade’s gift for caricature is turned on a target more interesting, and more attention is paid – though not entirely convincingly – to the characters’ real psychology.
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