The lava in the title of Benedict Lombe’s new, fierce, autobiographical play is anger. It flows over the stage, filling the crevasses of the set, and through Ronkẹ Adékoluẹjo’s smouldering performance, which soon bursts into flame.
Last year a critic described a dramatic response to the Black Lives Matter protests, to which Benedict Lombe contributed, as ‘more lecture than theatre’. The quote is projected onto the set of her debut play, Lava, at the Bush Theatre.
Benedict Lombe’s new play Lava is semi-autobiographical and full of activism and difficult moments, alongside a story railing against Kafkaesque bureaucracy.