What were the reviews and other blogs that got readers clicking most? Any surprises? Our Top 25 Mates Blogs from September 2017 are listed below with summaries and links to read more.
What were our Top 25 reviews & other blogs in September 2017?
What were the reviews and other blogs that got readers clicking most? Any surprises? Our Top 25 Mates Blogs from September 2017 are listed below with summaries and links to read more.
LE GRAND MORT – Trafalgar Studios ★★★
Are there laughs after death? Award-winning playwright and librettist Stephen Clark’s comedy-drama Le Grand Mort makes its world debut almost a year after the celebrated writer died and serves as a posthumous poser to what could have been had Clark not shuffled off the mortal coil at the age of 55.
Q&A podcast: How did Julian Clary feel about having Le Grand Mort written for him?
In an at turns hysterically funny and extremely touching post-show discussion, Julian Clary, co-star James Nelson-Joyce and director Christopher Renshaw talked about the legacy (and still-tangible presence) of author Stephen Clark as well as speaking in verse while cooking, onstage nudity, willy socks, life and death and much more.
LE GRAND MORT – Trafalgar Studios ❤❤❤
Julian Clary and James Nelson-Joyce star in Stephen Clark’s intense and gripping drama that lacks in purpose and direction.
LE GRAND MORT – Trafalgar Studios ★★★★
Trafalgar Studios, London
****
Written by Stephen ClarkDirected by Christopher Renshaw
Julian Clary
It is a rare treat these days to see a play written for its star. So it is with Le Grand Mort, penned by Stephen Clark and created specifically with Julian Clary in mind. Amidst a whirlpool of emotions, the unintended and unspoken sadness of the night is that Clark tragically died last year, never seeing the play brought to life.
Clark has written an exquisite piece that places Clary as Michael, a 50-something architect with a lifestyle that’s a fusion of Hannibal Lecter with, for those who can remember back that far, Graham Kerr’s Galloping Gourmet. (Younger readers may prefer to context Come Dine With Me.) Indeed as the play opens and Clary’s cookery commences, the air inside the compact Trafalgar 2 becomes quickly thick with the scent (stench?) of frying onions.
The action never leaves Michael’s kitchen, a fully functioning showpiece of a set from designer Justin Nardella, in which the preening professional is preparing pasta puttanesca (literally whore’s pasta) as he awaits the arrival of the much younger, rough-trade Tim. We learn that this is the first potentially romantic liaison of the two men after a period of pub-based flirting, but with a rack of chic kitchen knives ever prominent, menace is clear from the outset.
Clark’s writing has a cadence that’s rarely found these days, conjuring up images from a prose that is as assonant as it is meticulous. The whole piece runs for a non-stop 90mins, the first third of which is virtually a Clary monologue. One could almost be witnessing a grown-up version of The Joan Collins Fan Club such is Clary’s wit and persona – even if the patter he regales is a gruesome comment on death and necrophilia.
The arrival of James Nelson-Joyce’s Tim catapults the evening into a 21st century Sleuth. We learn that little of what the young man says is true – however it is clear from both his perfect physique and razor sharp wit that matches Michael word for word, that he is irresistible to the architect.
Clark’s writing is graphic and as his narrative unfolds to encompass incestuous paedophilia it is clear that his two protagonists are deeply damaged souls. But whilst the play’s language and its acting soar, it is hard to care too much for either man – even if Nelson-Joyce’s impressive nudity does briefly shift one’s attention from cook to cock.
The performances here are unquestionably first class and while Le Grand Mort may not be quite the comedy it set out to be, treat yourself to a large glass of Montepulciano and savour the work that’s on offer. Clark truly proves that there’s no fool like an old fool.
Runs to 28 OctoberPhoto credit: Scott Rylander
LE GRAND MORT – Trafalgar Studios
It’s a show about the delicious intimacy that exists on the cusp of life and death, those dying moments when one is at their most vulnerable.
New post-show Q&A: Join Terri to talk to Julian Clary about Le Grand Mort, the new play written for him
As part of her ongoing post-show Q&A series, on Wednesday 27 September 2017, Mates co-founder Terri Paddock will talk to Julian Clary, his co-star and director of Le Grand Mort, the new play written especially for him about to receive its world premiere in a strictly limited season at Trafalgar Studios 2. Got any questions?
HOT TICKETS: 7 shows to see opening in September, from Ink to Young Frankenstein
Summer’s officially over, but don’t be sad – there’s plenty of great theatre to keep you happy. Love London Love Culture’s Emma Clarendon has rounded up the productions she’s most looking forward to in September. With Mates ticket links!
NEWS: Julian Clary stars in premiere of Le Grand Mort, written specially for him
Julian Clary is to star in the world premiere of Le Grand Mort, written specially for him by four-time Olivier Award-nominated Stephen Clark, who died last year.