New American musical Hamilton collected seven Olivier Awards including Best New Musical and The Ferryman went home with three prizes at the Olivier Awards 2018, the UK’s most prestigious stage honours announced tonight (Sunday 8 April 2018) at London’s Royal Albert Hall hosted by Catherine Tate.
It is a delight to review Dan Burton’s debut album Broadway Melodies. As choreographer Stephen Mear has long known, Burton is currently amongst the finest of musical theatre “triple threats” (defined as talented in all three skills of song, dance and acting) and a man who unassumingly provides an assured touch of class to all his roles, whether they be leading or support.
If you don’t, you are not in the panto zone, and as O’Grady’s ever alarming Lily Savage would put it, “shaddup, if I wanted your opinion I’d slap it out of ya.” For this really is the mother-lode of pantomime: heavy on stars but, more importantly, getting every ounce of hard work out of every one of them, mercilessly.
There’s an aura of timeless quality that pervades the touring production of Chitty Chitty Bang Bang, currently in its second week at Wimbledon. Ian Fleming’s wonderfully imaginative tale, so quintessentially English, married to the universal appeal of the Sherman Brothers’ songs has made for a 20th century fairy tale that ranks alongside the classics.
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